Grace (Album) (2)

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  • Introduction:
     
    E--------------3-------------3--------------0---------------------
  • B-------1-------------1--------------1-------------1-----3^1------
    G----------2-------------2--------------2-------------2-----------
    D-----------------------------------------------------------------
  • A---3--------------3-------------0--------------0-----------------
    D-----------X (2nd fret muted with thumb)-------------------------
     
  • The "^" symbol denotes a pull-off (I use the 4th finger here).
     
    (Sometimes I think Jeff alternates the first part with
  •  
    E-----------------3-------------3------------------
    B---------1--------------1-------------------------
  • G-------------0-------------0----------------------
    D--------------------------------------------------
    A-----3--------------3-----------------------------
  • D-----------X--------------------------------------
     
    but I'm not prepared to put money on this.....)
  •  
    Then this part ends with a sweeping D chord, strummed from the top string down
    to the bottom D:
  •  
    E-----------------5--------------------
    B-----------------3--------------------
  • G-----------------2--------------------
    D-----------------0--------------------
    A-----------------0--------------------
  • D-----------------0--------------------
     
    Then what I'll call the "next bit" (the "don't wanna weep..." stuff) -- play
  • the first chord from the top-E down to the bottom F:
     
    E-----0----X------X------X----X-----X---------------
  • B-----0----1------0------1----0-----1---------------
    G-----2----2------2------2----2-----2---------------
    D-----3----0------3------0----3-----0---------------
  • A-----3----0------3------0----3-----0---------------
    D-----3----0------3------0----3-----0---------------
     
  • Astute listeners will note that Jeff throws in some little transitional chords
    and things. Some of them I'll ignore except for a couple of key things I list
    at the end.
  •  
    Then the "rhythms fall slow.../black beauty..." bit:
     
  • E-----X-----X----X---2------2------2--------X-----X-----X----X---
    B-----3-----1----3-----3------3------3------1-----3-----1----3---
    G-----4-----2----0-------0-------0-----0----2-----4-----2----2---
  • D-----0-----0----0--------------------------0-----0-----0----0---
    A----------------------------------------------------------------
    D----------------------------------------------------------------
  •  
    Those descending 2/3/0 bits come pretty quickly on the heels of the preceding
    chord, and at first you may be only able to hear the 2nd two. But there are
  • 3, trust me.
     
    Now the song repeats from the start, so just follow the tab again. (But see
  • the embellishments below.)
     
    Then after the 2nd run, we go into the "dramatic bit" as follows, starting
  • with the final chord of the "black beauty" bit (you can provide the
    da-da-da-dum rhythm):
     
  • E------X---X---X---X---X---X----X---X------ --------X----------
    B------1---3---6--10---1---3----6---9------ --------10---------
    G------2---4---7--11---2---4----7--10------ --------11---------
  • D------0---0---0---0---0---0----0---0------ ---------0---------
    A------------------------------------------ ---------0---------
    D------------------------------------------ ---------0---------
  •  
    then repeat, except instead of the final chord shown above in the left tab
    (X/9/10/0), put in a nice open D chord as shown, and let it hang.
  •  
    You now have all the basic parts of the song, and can put them together at
    your own leisure. Enjoy.
  •  
    But I will include some of the embellishments Jeff plays during the "white
    horses flow/memories fire" section, as they are fun, and they vary each time.
  •  
    This is what is played in the 1st run through:
     
  • E------------X------------X--------------------------------
    B------------3-----1>3----0--------------------------------
    G------------2-----2>4----2--------------------------------
  • D------------0------------3--------------------------------
    A------------0------------3--------------------------------
    D------------0------------3--------------------------------
  •  
    where ">" denotes a slide (some of the slides are just "slid", some are picked
    as well...let your ear be your guide). In the 2nd run through, what happens
  • is:
     
    E-------X----3>5-----X---------------X---X---X-----X--------
  • B-------3----1>3-----0---------------3---3---1-----3-------- etc.
    G-------2----2>4-----2---------------2---4---2-----0--------
    D-------0------------3----3>7>0----------0---0-----0----------
  • A-------0------------3----3>7>0-------------------------------
    D-------0------------3----3>7>0-------------------------------
     
  • In the 3rd run through, the whole thing gets pounded out pretty hard, and then
    in the "Blaaaaacckk beaauuttyy IIIIII love you soooooooo" bit, try something
    like:
  •  
     
    E---------X-----X----X----14---------14----------14-------14--------
  • B---------3-----3----1--------13---------13---------13-------13-----
    G---------2-----4----2------------14--------14--------14-------14---
    D---------0-----0---------------------------------------------------
  • A-------------------------------------------------------------------
    D--------------------------0----------------------------------------
     
  • *Introduction (Part1):
     
    E-------------1------------------|-------1-----3^1------------
  • B----------1----3^1--------------|-----1---3^1----3^1---------
    G-------1-----------3^1--3^1--3^1|---1----------------3^1-----
    D----3---------------------------|-3--------------------------
  • A--------------------------------|----------------------------
    D--------------------------------|----------------------------
     
  • E-----------3-------------------|--------3-----5^3--------------0--
    B--------3----5^3---------------|------3---5^3----5^3-----------0--
    G-----3------------5^3--5^3--5^3|---3-----------------5^3-------0--
  • D--5----------------------------|-5-----------------------------2--
    A-------------------------------|-------------------------------2--
    D-------------------------------|-------------------------------2--
  •  
    Remember, the ^ denotes a pull-off or hammer-on.
     
  • E-----X------X-----X-------X--|--X------17----15----X----X--------
    B----14^15--14----14^15---14--|-14^15---15----14---17---14--------
    G----14-----14----14------14--|-14------14----14---14---14--------
  • D----14^16--14----14^16---14--|-14^16---16---------14---14--------
    A-----0------0-----0-------0--|--0--------------------------------
    D-----0------0-----0-------0--|--0--------------------------------
  •  
    Repeat as above 3 times, then on the final (4th) pass play:
     
  • E-----X------X-----X-------X--|---X-------------
    B----14^15--14----14^15---14--|--15-------------
    G----14-----14----14------14--|--14-------------
  • D----14^16--14----14^16---14--|--16-------------
    A---- 0------0-----0-------0--|---0-------------
    D-----0------0-----0-------0--|---0-------------
  •  
    Use your own discretion about those bottom notes (i.e. how often you wanna hit
    them...)
  •  
    *Verse (Part 1):
     
  • This is the tab of the picked guitar line you can hear on the album
    version ("There's the moon asking to stay..."). How to play the
    appropriate chords should become clear as you work through this.
  •  
    E--------------------------------------------------------------------
    B--------------------------------------------------------------------
  • G---------0---------0---------0---------0---------0----------0-------
    D-------2--2------2--2------3--3------2--2------1--1------1---1------
    A-----2------2--2-----2---3------3--2------2--1------1--1------1-----
  • D---2----------2--------3----------2---------1---------1-------------
     
    E-----------------------------------------------------------------
  • B-----------------------------------------------------------------
    G---------0---------0---------0---------0---------0---------0-----
    D-------3--3------2--2------1--1------1--1------2--2------2--2----
  • A-----3------3--2------2--1------1--1------1--2------2--2------2--
    D---3----------2---------1---------1---------2---------2----------
     
  • You can figure out where the bars go....
     
    *Verse (Part 2)
  •  
    This is the ascending part ("My fading voice sings....")...
     
  • E----0-----X--|--X-----X---|---X--|--X--|--0---|---0----------
    B----0-----4--|--5-----7---|---7--|--7--|--0---|---0----------
    G----0-----2--|--4-----6---|---7--|--6--|--0---|---0----------
  • D----2-----4--|--5-----7---|---9--|--7--|--2---|---2----------
    A----2-----X--|--X-----X---|---X--|--X--|--2---|---2----------
    D----2-----4--|--5-----7---|---9--|--7--|--2---|---2----------
  •  
    E----0-----X--|--X-----X---|---X--|--X--|--0---|---0----------
    B----0-----4--|--5-----7---|--10--|--7--|--0---|---0----------
  • G----0-----2--|--4-----6---|---7--|--6--|--0---|---0----------
    D----2-----4--|--5-----7---|---9--|--7--|--2---|---2----------
    A----2-----X--|--X-----X---|---X--|--X--|--2---|---2----------
  • D----2-----4--|--5-----7---|---9--|--7--|--2---|---2----------
     
    or....
  • An alternative version is (without the bars):
     
    E----0------X----X-----X------X-------X-----0--------------
  • B----0------4----0-----0------0-------0-----0--------------
    G----0------2----4-----6------7-------6-----0--------------
    D----2------4----5-----7------9-------7-----2--------------
  • A----2------X----5-----7------9-------7-----2--------------
    D----2------4----5-----7------9-------7-----2--------------
     
  • *Chorus
     
    ...this bit should seem pretty obvious by now......
  •  
    E----X----X----X----X----X-----X-----X------X-----X------X----
    B----0----0----0----0----0-----0-----0------0-----0------0----
  • G----0----0----0----0----0-----0-----0------0-----0------0----
    D----3----2----1----1----3-----2-----1------1-----2------2----
    A----3----2----1----1----3-----2-----1------1-----2------2----
  • D----3----2----1----1----3-----2-----1------1-----2------2----
     
    ..the thing is to bash those open strings now (but avoiding the top E
  • if you can).....
    ...and note that each chord here is one bar length.
     
  • Then from here, repeat the intro, verse and chorus before proceeding
    to.....
     
  • *Middle 8 (Instrumental Section):
     
    E---------|-----|-----|-----|-----|------|-----|-----|----------|---
  • B---------|-----|-----|-----|-----|------|-----|-----|----------|---
    G------0--|--2--|--4--|--4--|--3--|---2--|--0--|--0--|----------|---
    D------1--|--3--|--5--|--5--|--4--|---3--|--1--|--2--|--2>5>7>9-|---
  • A------1--|--3--|--5--|--5--|--4--|---3--|--2--|--2--|--2>5>7>9-|---
    D------1--|--3--|--5--|--5--|--4--|---3--|--2--|--2--|--2>5>7>9-|---
     
  • where ">" is a slide (but pick each part).
     
    (You could also play this section like
  •  
    E-----------------------------------------------------------------
    B------4----6----8-----7-----6------------------------------------
  • G------3----5----7-----6-----5----0----0--------------------------
    D------1----3----5-----4-----3----1----2----2>5>7>9------------
    A------1----3----5-----4-----3----2----2----2>5>7>9------------
  • D------1----3----5-----4-----3----2----2----2>5>7>9------------
     
    because it's really pretty hard to tell exactly what the hell the
  • guitars are doing right at this point.)
     
    Then repeat part 2 of the verse pattern (play 3 times), back into the
  • full intro, then part 1 of the verse, only now bash the chords like
    you do in the chorus, and then go straight to the chorus (still playing
    the same chords) and scream your tiny head off.
  •  
    A suggested embellishment as you careen for the last time between the
    first and second parts of the introduction, before ploughing into the
  • final climactic verse -- try sticking two fingers on the two bottom
    strings at the 5th fret and bashing a few strings (on the way up to
    that 14th fret stuff). Listen to the CD and you'll see what I'm
  • getting at.
     
    Last thing -- on the "Grace" e.p. live version (and the Selinas etc.
  • versions), you'll here a guitar doing an ascending sequence during the song's
    climax. I've done the notes purely by ear (i.e. look ma, no guitar) while at
    the terminal, so if I'm wrong, tough bananas, but they are (I'm pretty sure) F
  • - A - B - D - Eb.
     
    last goodbye
  •  
    Here is my latest attempt at Last Goodbye, referring to the video evidence,
    yer Honour. I have tabbed this out before, and I think my last attempt is up
  • on Gayle's website, but this is muuuuch improved. If you have never played
    this song before in open-G tuning, then run amok!!! :^)
    (Thanks again to those who advised me on the open-G tuning.)
  • This is an update on the previously posted tab of this song. I have had the
    benefit of viewing some live footage of Jeff playing this, and I was able to
    figure out some bits which hitherto I'd had to guess. I still make no claim
  • to 100% accuracy, but, fact is, it hardly matters. Most of the chords in the
    song are simple majors and minors, each of which can be played a number of
    ways in the open-G tuning (or even in standard tuning). But I do think I have
  • made a pretty good attempt at getting close to what Jeff (and Michael T) are
    playing. (Note: I sometimes economise on notation in this song by ignoring the
    open strings. I indicate muting when I think it's important, but use your own
  • judgement about what to mute and what to let ring.) So, OK, you can check out
    the tuning below, and I presume you all know that the slide bit just goes from
    fret 2 to 5 to 12 to 7. But just to be super-helpful, here's how Jeffrey does
  • it when in Japan (not using a slide).
     
    *Intro (Live & Acoustic in Japan):
  •  
    D ---2---2-4-5--->5---7^5--|--7>9---9--9-----7--- 1st & 3rd times
    B ---2---2------->5---5----|--5>7---7--8^7---7---
  • G ---2---2------->5--------|--5>7---7--------7---
    D ---2---2------->5--------|--5>7---7--------7---
    G ---XXXXXXXXXXXXXX--------|---------------------
  • D ---XXXXXXXXXXXXXX--------|---------------------
     
     
  • D ---2---2-4-5--->5---7^5--|--5>12--7----------- 2nd time
    B ---2---2------->5---5----|--5>12--7-----------
    G ---2---2------->5--------|--5>12--7-----------
  • D ---2---2------->5--------|--5>12--7-----------
    G ---XXXXXXXXXXXXXX--------|--------------------
    D ---XXXXXXXXXXXXXX--------|--------------------
  •  
    then finish on.......and move into this
     
  • D ------0-|--0-- || ---0---0---0---0--|----- and play as required.
    B ------0-|--0-- || ---0---0---0---X--|-----
    G ------6-|--4-- || --12--12--12--11--|----- This is the "D suspended"/
  • D ------7-|--5-- || ---0---0---0---0--|-------- "D major" sequence.
    G --------|--0-- || --12--12--12--11--|------
    D --------|----- || ---0---0---0---0--|------
  •  
    Of course, there's a 2nd guitar doing some distracting things in there, like
    playing the open 4th string (D) at some point where the first guitar isn't,
  • but these things are just sent to test apprentice tabbers.
     
    *Intro (Part 2):
  •  
    D -----------------------------|-----------------------------------
    B ----2----2----2-------5----5-|----0----0----0-------7----7-------
  • G ----2----2----2-------5----5-|----0----0----0-------7----7-------
    D ----2----2----2-------5----5-|----0----0----0-------7----7-------
    G ----2----2----2-------5----5-|----0----0----0-------7----7-------
  • D --4-X--4-X--4-X---4>7-X--7-X-|--2-X--2-X--2-X---2>9-X--9-X-------
     
    (Faking the bass line on a guitar!) this finishes on the A7, G sequence
  •  
    D ---------|--0--------------- then into the
    B ---------|--0--------------- Dsus/D thing as
  • G -----0---|--0--------------- tabbed above.
    D -----11--|--9---------------
    G -----9---|--7---------------
  • D -----11--|--9---------------
     
    ...but an alternative version of the A7, G sequence is...
  •  
    D ---------|--0--0--0--------- and THEN into the
    B ---------|--0--0--0--------- Dsus/D thing as
  • G -----0---|--0--2--4--------- tabbed above.
    D -----11--|--0--0--0---------
    G -----9---|--0--2--4---------
  • D -----11--|--0--0--0---------
     
    *Verse:
  •  
    From Dsus/D ("This is our last goodbye") into the descending bit ("hate to see
    the love...")
  •  
    D ----0-----0----|----0-----------|--0---|---0-------- The little
    B ----0-----0----|----0-----------|--0---|---7-------- 4/0/4 thing is
  • G ----7-----6----|----0-----------|--0---|---7-------- kind of an optional
    D ----9-----7----|----2-------4---|--5---|---0-------- transition thing
    G ----7-----6----|----0-------0---|--4---|---7-------- which is quite nice.
  • D ----9-----7----|----2-------4---|--5---|---0-------- Play it quick.
     
    "...see ..between us die, but it's over ...this..."
  •  
    D -------[or]-[2]--|----[or]-[0]--|-----0------0--- etc.
    B -----0------[2]--|--0------[0]--|-----0------X--------
  • G -----6------[2]--|--0------[0]--|----12-----11---------
    D -----7------[2]--|--5------[0]--|-----0------0---------
    G -----6------[2]--|--4------[0]--|----12-----11---------
  • D -----7------[2]--|--5------[0]--|-----0------0---------
     
    "you gave me ....... more than ... know......"
  •  
    The 2nd run through is the same as the first, only reverse the order of the Em
    (2/0/2/0) and the G (5/4/5/0).
  •  
    Then come those tricky "what are they?" chords which end the sequence here.
     
  • D ----(3)--|--(3)--3------------- . N.B. the () bit means try not to strike
    B ----(6)--|--(6)--6------------- these strings -- emphasise the bottom 4.
    G -----5---|---5---3-------------
  • D -----3---|---3---3-------------
    G -----5---|---5---3-------------
    D -----0---|---0---3-------------
  •  
    For "kiss me please kiss me", you can just jump back into the barre chord
    stuff
  •  
    D ---2--------5--|---0--------7--- || ------[or]--------------[or]
    B ---2--------5--|---0--------7--- || --------------------------------
  • G ---2--------5--|---0--------7--- || ----0---[0 ]----------0---[0]---
    D ---2--------5--|---0--------7--- || ----5---[11]----------0---[0]---
    G ---2--------5--|---0--------7--- || ----6---[9 ]----------4---[0]---
  • D ---------------|---------------- || ----7---[11]----------5---[0]---
     
    "..kiss me, please kiss me, kiss me... ...I'd only make you cry..."
  •  
    The square bracketed chords at the end are alternative ways to play that bit.
     
  • *Middle 8
     
    This is the instrumental bit. The chords are Dsus/D, with Jeff's voice doing
  • lots of "ooooh"s while the guitar does something like:
     
    D --------------|--------[rapid]-----|---[rapid]----|-------------|----
  • B --------------|--------------------|--------------|-------------|----
    G -4---7---6--2>|4--6---11>12>11---4>|6---6>7>6---4>|6---2>4--1>2-|-14-
    D --------------|--------------------|--------------|-------------|----
  • G -4---7---6--2>|4--6---11>12>11---4>|6---6>7>6---4>|6---2>4--1>2-|-14-
    D --------------|--------------------|--------------|-------------|----
     
  • The timing of this bit is *not* easy to write out, sorry. Those first notes
    are not (I am pretty sure) the beginning notes of that bar. All I can say is
    that practising it against the song itself as played by The Man will be good
  • training for the ear.
     
    Then you go into the chords, Bm/A/G/A/Bm/A/Em/A/Bm/A/G, played something like
  •  
    D -----------------|- [repeat 1st 2 chords, |---------------------
    B -----------------|----- then] -----------|---------------------
  • G --7---6---4---6--|----------------0-------|---7---6----0--------
    D --9---7---5---7--|----------------2--4--7-|---9---7----0--------
    G -[7]-[6]-[4]-[6]-|----------------0-------|--[7]-[6]---4--------
  • D --9---7---5---7--|----------------2--4--7-|---9---7----5--------
     
    The notes in square brackets can be played or just muted (which is what I
  • think Jeff does).
     
    Then we get to "Did you say no this can't happen....", where I've re-tabbed
  • the chords in an attempt to get that consistent F# high note which seems to be
    in every chord in this section (except the last 4). It's a bugger to finger,
    but that's our Jeff (actually, I think he lets the bass guitar take care of
  • that descending bassline, except bringing his thumb into play over the neck to
    fret the 7th fret on the bottom string at the appropriate moment)...
     
  • D ----0------0--|--0---------------X--- || ---0--|-0--|---0--|----0---
    B ----7------7--|--7---------------7--- || ---8--|-1--|---5--|----0---
    G ----7------7--|--7---------------7--- || ---9--|-2--|---5--|----0---
  • D ----0------0--|--X---------------0--- || ---0--|-0--|---0--|----0---
    G ----7------4--|--6---------------0--- || ---9--|-2--|---5--|----4---
    D ----0------X--|--7---------------5--- || ---0--|-X--|------|----5---
  •  
    "..Did you say ...no this can't happen... ..may ...be ..know him.."
     
  • Then back to part 2 of the intro, twice, then the Dsus/D bit, and then the
    climax which I am going to tab two separate ways. Jeff seems to play the
    first of these versions, but I figured out the second one before I saw the
  • live footage and I like it too much not to put it in. So sue me.
     
    Climax #1:
  •  
    D ---0-----0--[for-------------|------------------------|------
    B ---0-----0---2---------------|--8------------------7--|------
  • G --12----11--bars]------------|--9------------------7--|--9---
    D ---0-----0-------------------|------------------------|-11---
    G --12----11-------------------|--9------------------7--|-11---
  • D ---0-----0-------------------|------------------------|------
     
    " bells of the ch'tower chime, burnin' clues... heart of mine.."
  •  
    Or else try
     
  • Climax #2:
     
    D -------------|----------|---------------------|------------
  • B ---7---------|-5--3-----|-5-------------------|--5---7-----
    G ---7---------|-6--4-----|-5-------------------|--6---7-----
    D ---0---------|-0--0-----|-0-------------------|--0---0-----
  • G ---7---------|-6--4-----|-5-------------------|--6---7-----
    D -------------|----------|---------------------|------------
     
  • " bells of ... chime, burnin' clues... heart of mine.."
     
    And then into:
  •  
    D ----------|------------|----------|----------------------
    B ---5------|---7--------|--8-------|---10-----------------
  • G ---5------|---7--------|--9-------|---11-----------------
    D ---0------|---0--------|--0-------|----0-----------------
    G ---5------|---7--------|--9-------|---11-----------------
  • D ----------|------------|----------|----------------------
     
    "..so hard ..soft eyes ...memories ...sighs that it's..."
  •  
    then the tricky "what are they?" chords, then finish up on the final drawn out
    "o-o-o-over"
  •  
    D ----0----0----0----0---//--------------------0------------
    B ----7----7----0----5---//-[or just]----------5------------
  • G ----7----6----7----5---//-------------0---0--5------------
    D ----0----0----0----0---//------------11---9--0------------
    G ----7----7----7----5---//-------------9---7--5------------
  • D ----0----0----0----0---//------------11---9--0------------
     
    and you're pretty much done.
  •  
    I *reallllllllly* hope you have some fun with this.....
     
  • lilac wine
     
    This is actually fairly easy and quite fun to play. As best I can figure it,
  • this is what I think is actually played on the "Grace" album. At least, it's
    pretty darn close...
    Standard tuning!! (What a shock!) I'm just going to tab out the individual
  • chords, not the rhythm or anything. Y'all can figure that out yourselves.
    (If you are training your ear, a good exercise is to figure out which chord
    below goes where in the song.)
  • *Introduction
     
    E--3---------------------------------------
  • B--3---4---3---4---3---3---4---4---3---3---
    G--3---0---5---5---5---3---0---5---5---3---
    D--5---5---4---5---4---5---5---5---4---5---
  • A--5---6---5---3---5---5---6---X---5---5---
    E------------------------------5-----------
     
  •  
    E---4---------------4------------------
    B---3---5---4---3---3---5---4----------
  • G---4---5---5---3---4---5---5----------
    D---3---5---5---5---3---5---5---5---4--
    A-------3---3---5-------3---3---5---5--
  • E--------------------------------------
     
    *"Lilac wine..." bit
  •  
    E---3---3---0---2---3---3---0---1---3---0--
    B---0---0---1---1---0---0---1---3---0---1--
  • G---0---0---0---2---0---0---0---2---0---0--
    D---0---0---2---0---0---0---2---0---0---2--
    A---2---2---3-------2---2---3-------2---3--
  • E---3---1---X---X---3---1---X-------3------
     
     
  • E---1---3---0---------------------
    B---3---0---1---8---3---5---3-----
    G---2---0---0---8---5---5---5-----
  • D---0---0---2---8---4---5---4-----
    A-------2---3---6---5---7---5-----
    E-------3-------------------------
  •  
    Now, I'll leave the final progression up to you since it's just a variation on
    the above, and the chord chart I provided gives the essential information.
  • The one variation through the song that might be worth noting is that on the
    second run through, when we get to "sweet and heady", halfway through the D7
    bit, Jeff adds a suspension which should be pretty apparent when you hear it
  • (I'm providing the "rhythm" in the tab below):
     
    E-----2--2--3--3---
  • B-----1--1--1--1---
    G-----2--2--2--2---
    D-----0--0--0--0---
  • A------------------
    E------------------
     
  • Happy playing.
     
     
  • so real
     
    Quite a few people (John Pollock, Paul Leddy, Nate) have contributed to the earlier
  • efforts to tab this song. In this case, I owe particular debts to some of these
    earlier tabs for parts of this song I was having trouble with.
    My version of the intro uses JP's as a starting point, and is pretty similar. John
  • mentioned the difficulty of tabbing a droning string -- I've tried, but yes, it's
    hard. Anyway, I think there's enough here to be getting on with.
    The rest of the song....well, look and see and tell me what you think. I've added
  • the live intro that JB did pretty regularly, and changed a few bits as a result of
    viewing some live footage. I think it's improved as a result.
    (Remember, ^ means hammer-on or pull-off, > means slide.)
  •  
    *Long introduction to live version:
     
  •  
    E--2-----------2---0-------0--------------0-------2-------0-----
    B----2---3---3---3---2---2---3---3--5---3---3---3---3---3---3---
  • G------2---0-------------------0------3-------3-------3-------3-
    D----------------------4----------------------------------------
    A---------------------------------------------------------------
  • E---------------------------------------------------------------
     
    E-3-----2-----------2---0-------0-----3-5-6-------6-----6-6----
  • B---3-----2---3---3---3---2---2---3---------3---3---5-------3--
    G-----3-----2---0-------------------0---------3-------3-------3
    D---------------------------4----------------------------------
  • A--------------------------------------------------------------
    E--------------------------------------------------------------
     
  • E----3-----3-2-----------2---0-------0-----3-5-6-------6----->8-
    B--3---3-------2---3---3---3---2---2---3---------3---3---3>5----
    G--------3-------2---0-------------------3---------3-----------5
  • D--------------------------------4------------------------------
    A---------------------------------------------------------------
    E---------------------------------------------------------------
  •  
    *Introduction:
     
  • E -----------------------------------------|-------------------------|-
    B --->13---13---13-------------------------|-------------------------|-
    G --->14---14---14---14--14-------------14-|---(15, muted)-----------|-
  • D -----0----0----0---15--15---14---12---12-|-12-12-12-12-12-12-12-12-|-
    A --------------------0---0---12---12---12-|-13-13-13-13-13-13-13-13-|-
    E -----------------------------------------|-------------------------|-
  •  
    E ---------------------------------|---------------------------------------|-
    B ---------------------------------|---------------------------------------|-
  • G --------------12--------------14-|---------------------------------------|-
    D --12--12--12--12--12--12--12--12-|-12--12--12--12------------------------|-
    A --12--12--12--12--12--12--12--12-|-12--12--12--12--12-----------12-------|-
  • E ---------------------------------|-------------13--13--12^13/13/13--13/13|-
     
    There are slight hints of other strings resonating or being softly
  • struck....do your best.
     
    *Verse:
  •  
    E ---------------------------------|---------------------------------|-
    B -----11--11--11--11--11--11--11--|-12--12--12--12--12--12--12--12--|-
  • G ------9---9---9---9---9---9---9--|--9---9---9---9---9---9---9---9--|-
    D ------9---9---9---9---9---9---9--|--9---9---9---9---9---9---9---9--|-
    A ---------------------------------|---------------------------------|-
  • E --0------------------------------|--0------------------------------|-
     
    then (without tabbing the rhythm which I'll leave you to provide) but it's
  • kinda like waltz time (3/4) for the first 3 bars, then sort of 7/4 in the last
    one. (Alternatively, 3/4 for 4 bars then 4/4 for the last. Be as pedantic
    about this as you choose.)
  •  
    E -----------|---------|----3--|---8-----7---|-
    B -------12--|-----7---|----3--|---8-----7---|-
  • G -------11--|-----6---|----0--|---0-----0---|-
    D -------12--|-----7---|----0--|---X-----X---|-
    A -----------|---------|-------|---7-----6---|-
  • E ----10-----|---5-----|----3--|---8-----7---|-
     
    *Chorus chords:
  •  
    E ---------------------|----0-------------|-
    B -------10------------|----5-------------|-
  • G -------9--(8 times)--|----5--(8 times)--|-
    D -------7-------------|----4-------------|-
    A -------X-------------|----0-------------|-
  • E -------8-------------|----5-------------|-
     
    The above is what Jeff plays on videos I have seen. Below is how I originally
  • tabbed it by ear. Either way sounds pretty much on the money: only the first
    chord is different, and they are both C6ths, I think.
     
  • E -------5-------------|----0-------------|-
    B -------5-------------|----5-------------|-
    G -------5--(8 times)--|----5--(8 times)--|-
  • D -------5-------------|----4-------------|-
    A -------3-------------|----0-------------|-
    E -------X-------------|----5-------------|-
  •  
    *Distorted bit:
     
  • (I'm not seriously tabbing this...but a guitar can bang away doing the left
    hand bit, while a highly distorted bass guitar can bend around the 5\7 frets
    -- or between those notes, at least -- as best it can. If that doesn't work,
  • try screaming through a cheap loudhailer. I dunno...)
     
    E ---------------------------------------------------------------
  • B ---------------------------------------------------------------
    G -----7----------------------------------------------------------
    D -----0------------------------5\7---------------------------------
  • A ---------------------------------------------------------------
    E ---------------------------------------------------------------
     
  • *Final progression:
     
    This was tricky to tab. I've watched video footage of him doing this live ...
  • I can't swear that those first 3 chords are played as I've tabbed them, but the
    rest I'm pretty confident of. And as for the first 3, well, this way'll do until
    I figure out what's REALLY happening!
  •  
     
    E----------------|----------|-------------------------------
  • B----------3---7-|------8-7-|--3---5---(3---5)--------------
    G---4-6-7--2---6-|--7-9-7-7-|--3---5---(3---5)--------------
    D---2-4-5--0---0-|--0-0-0-0-|--0---0---(0---0)--------------
  • A---2-4-5--0---0-|--0-0-0-0-|--0---0---(0---0)--------------
    E----------3---7-|--7-7-7-7-|--3---5---(3---5)--------------
     
  •  
    The timing of the progression changes every 2nd time, so keep your ears peeled
    (mainly re those last two chords, in parentheses).
  •  
    Then finish up on a sweet sounding D chord, like:
     
  • E ---------X------------------------------------------------------
    B ---------3------------------------------------------------------
    G ---------2------------------------------------------------------
  • D ---------0------------------------------------------------------
    A ---------X------------------------------------------------------
    E ---------X------------------------------------------------------
  •  
    And we're done. Have fun...
     
  •  
    hallelujah
     
  • I used to describe this as the tab from hell, but it isn't quite that bad.
    There's just a hell of a lot of notes. It's all 5th position and above, which
    means use a capo on fret 5 if you have one. I tabbed this without one and I
  • think my brain has snapped a synapse. Or my hand has snapped a tendon. Or something.
    Some tabs where capos are used, "re-adjust" their reference points, so that the fret
    with the capo becomes the new nut of the neck (i.e. "fret zero"). Then "1" means one
  • fret above the capo (fret 6 in this case), and so on. Well, if you hadn't guessed
    already, I tend not to follow standard tabbing practice. In some cases, that's because
    I just made up my own way, and then found out later it wasn't standard. In this case,
  • I actually prefer my way -- the 5th fret is still the 5th fret to me, whether or not
    there's a damn capo there. So my fret numbers are written as though I am ignoring that
    there is a capo on fret 5. But don't be fooled. Use a capo, OK?
  • At least it's in standard tuning (small mercies). Last thing -- because this song is
    just so chockfull of notes, I've had to make subjective choices here and there about
    leaving some subtle things out, e.g. some very subtly picked notes, or some slides
  • that occur while another string is being picked or whatever. If you can figure out
    where I've had to simplify, then you are on the road to being your own tabber!
     
  • *Intro:
     
    E -------5-5--5-------------5-5---------5----------------------
  • B ---5-8--------8--5-5--5-8-------5-5-------8---------5---5----
    G -------8-8----------------8-8---8-8--------------5--5---5----
    D -----------------7-7----------7-----7---7------7------7------
  • A -------------------------------------------------------------
    E ---------------------------------------------5---------------
     
  • E -------------------------------------------------------------
    B -------------------------------------------------------------
    G -----5-----5-----5-----5-----5-----5-----5-------------------
  • D ---7-----7-----7-----7-----7-----7-----7-----5---------------
    A -6-----6-----6-----6-----7-----7-----7-----7-----------------
    E -------------------------------------------------------------
  •  
    E -------------------------------------------------------------
    B ----------------------5-5------------------------------------
  • G ----8-8---8-8---8-8---8-8----5-5---5-5----5-5----5-5---------
    D ----7-7---7-7---7-7---7-7----6-6---6-6----6-6----6-6---------
    A --6-----6-----6-----6------7-----7-8-7--5------5-------------
  • E -------------------------------------------------------------
     
    E ----------------5-5----5-5---5-5----5-5-----7----------------
  • B ----------6-6---6-6----6-6---6-6----6-6-----8----------------
    G ----5-5---5-5---5-5----5-5---5-5----5-5-----7----------------
    D ----7-7---7-7---7-7----7-7---7-7----7-7--------5-------------
  • A -----------------------------------------------5---7---------
    E --8-----8-----8------8-----8------8------8---------8---------
     
  • That last ringing change is as best I can figure it (I think a capo would help
    here!!). Anyway, from here you mosey on into....
     
  • *Verse:
     
    E -------------------------------------------------------------
  • B --------8------------8------------8------------8-------------
    G --------5-5----------5-5----------5-5----------5-5-----------
    D ------5------------5------------5------------5---------------
  • A ----7------------7------------7------------7-----------------
    E --8---------7--5---------7--8---------7--5---------7---------
     
  • The above is how it is played the very first time through, ending the
    ascension on the high G rather than the higher C on the top string. After
    that, it just mutates into
  •  
    E --------8------------8------------8------------8--------------
    B --------8------------8------------8------------8--------------
  • G --------5-5----------5-5----------5-5----------5-5------------
    D ------5------------5------------5------------5----------------
    A ----7------------7------------7------------7-------7-8--------
  • E --8---------7--5---------7--8---------7--5--------------------
     
     
  •  
    E --------5--5--5-----7------------------8-----5^7-----7-----
    B --------6--6---6------8----8--8----------8-------8-----8---
  • G ------5-5--5-----5------7--5--5--5---------5-------7-----5-
    D ----7-------------------------------5--------5-------5-----
    A --8--------------------------------------------------------
  • E ---------------------------8-----------8-------------------
     
    E ------------------------7-------------5-------------5-----
  • B ------(8------------------8-------------5-------------6---
    G -------(5-----5-------5-----7------5------5------5------5-
    D --------(5------5---7---5--------7-------------7----------
  • A -------------7----8--------------------------8------8-----
    E ---8---------------------------5------5-------------------
     
  • The ( notes are picked rapidly, almost like a strum or "roll".
     
    E ---7-----7----7------7---8-----8----- | -----8----------
  • B -----8----------5----------5--------- | -----5----5-----
    G -------7----------7----------5------- | -----5----5-----
    D ---5-----5----6------6---7-----7---7- | -----7----5-----
  • A ------------------------------------- | ----------------
    E ------------------------------------- | ----------------
     
  • *Chorus:
     
    E ----------5---------5----------------------------------------
  • B ---6------------------6-----5------5---------------5---8-----
    G ------5----------5------5-----5------5----------5------------
    D --------7------7----------------7------7-----7---------------
  • A ---8------8--8------8----------------------------------------
    E ----------------------------5--------------5-------5---------
     
  • E --------------------------------------8------------7---------
    B ---6-------6----------6-------8--------------------8---------
    G ------5------5-----5----5-------5----------------7-----------
  • D ---------7-----7----------7-------5------------5-------------
    A ---8-------8-----8----8------------------8-7-5--------5------
    E ------------------------------8-------8------------------8---
  •  
    Then back into the verse. All the verses are slightly different in their
    fingering, but only slightly. You can use the tab provided above as a
  • blueprint for the rest.
     
    The only major departure comes in the instrumental section, so, yes, I've
  • tabbed that too.
     
    *Break:
  •  
    E ---------8---8---------------------7---7---------5-------
    B ---------8---8---------------------5---5---------5-------
  • G ------5----7--------5-5---5------5---9---------5------5--
    D ----7-------------7-----5------9-------------9------9----
    A --8-------------8-----7----------------------------------
  • E -----------------------------5-------------5-------------
     
    E -------------------5----------------------5------------
  • B -------------6-----6----------------6-----6------------
    G -------------5----------------------5------------------
    D ---------7---------------------7-----------------------
  • A ----7^8---------8---------7^8----------8---------------
    E -------------------------------------------------------
     
  • E -------8---------8--------7--------7--------
    B -------8---------8--------8--------8-------- then back into
    G ----5---------5----------------------------- the C/Aminor
  • D ------------------------5--------5---------- progression
    A --7--------7---------5--------5------------- twice, then
    E -------------------------------------------- ........
  •  
    E -----------5---8--10-10>12---10-----8-------8--------------
    B ---5--6-------------------------------8-------8------------
  • G ----------------------------------------9--------9---------
    D -----------7--10--12-12>14---12----------------------------
    A ---7--8----------------------------------------------------
  • E -----------------------------------------------------------
     
    E ---8--------------------10--------12-------12--------13------
  • B --------10----->12----------------------13--------13---------
    G -----10----10-------12-----12>14-----14--------14------------
    D -------------------------------------------------------------
  • A -------------------------------------------------------------
    E -------------------------------------------------------------
     
  • E -----13--------15-------15-------15-----------------12-----17
    B ------------------15----------15-------15--------13----------
    G --14-----14>16-------16----16-------16-----16>14-------------
  • D -------------------------------------------------------------
    A -------------------------------------------------------------
    E -------------------------------------------------------------
  •  
    E -----13-----------15----------------
    B ----------13----------15------------
  • G -----14-----------16----------------
    D ----------15----------17------------
    A ------------------------------------
  • E ------------------------------------
     
    and, voila!, there you are. Back to the verse and keep on going.
  •  
    Game over, man, game over.
     
  • lover, you should've come over
     
    (Standard tuning, 3/4 time.)
  •  
    I call this " A tab in five parts", more or less -- or else
    "Variations on the Themes of 'Lover'". I've basically divided
  • the song into five main sections, and done the best I could.
    Like "Last Goodbye", this is an easy song to play "approximately",
    and a hard one to tab with any precision. You are welcome, even
  • more than usual, to use the following as a guide to developing your
    own preferred way of tackling the song.
     
  • Some of the chords below get a bit weird. Good luck with the fingering,
    and in many cases, the muting of unplayed strings!
     
  • Oh, and those airy chords right at the start before the guitar comes in??
    Basically, they are C-D-A-G-D-Em-D. Now, on with the show.
     
  •  
    PART A: "Looking out the door..."
     
  • E --0^2--2----------------3-----2---0---0-------------------
    B --3-3--3----etc.--------1-----0---3---0-------------------
    G --2-2--2----------------0-----0---0---0-------------------
  • D --0-0--0----------------2-----2---2---2-------------------
    A ------------------------3-----2---2---2-------------------
    E ------------------------------0---0---0-------------------
  •  
    Repeat as necessary. The variations on the E minor at the end are my
    subjective choices, so do as you please. Also, the 0/2/2/0/3/0 Em7 chord
  • I often play without fretting the E on the D string, i.e. 0/2/0/0/3/0.
    (Like it really matters, huh?)
     
  • PART B: "Maybe I'm just too young..."
     
    E ------------------------------2---2-3-2---3-----------
  • B -------------0----------------3---3-3-3---0-----------
    G -----------0---------------3--4---2-2-2---0-----------
    D ---------2---------------3----4---0-0-0---0-----------
  • A --2-3-4----------------2------2-----------2-----------
    E -----------------0-1-2--------------------3-----------
     
  • I invented some fingering for these chords for y'all if you want to strum
    rather than pick out notes. In that first one, a G diminished thingie,
    try 3/4/2/0/0/X, while for the second one, an F#major with a raised 5th
  • (flattened 6th?), try 2/1/2/3/3/X. The fingering on both will take a
    little practice but you will be grateful for the results if you persevere.
     
  • Oh, and that transitional D-Dsus-D between the Bm and Gmaj is pretty quick to appear.
     
    E --2--------------3----0------------------0------
  • B --3--------------1----0------------------0------
    G --2--------------0----0------------------0------
    D --0--------------2----2------------------4------
  • A -----------------3----2------------------2------
    E ----------------------0------------------0------
     
  • "But tonight... so you'll never know..."
     
    PART C: "Sometimes a man..."
  •  
    E --2-----2-----------------0--[or 2-----------------
    B --2-----3-----------------0------0-----------------
  • G --3-----4-----------------0------0-----------------
    D --4-----4-----------------2------2-----------------
    A --4-----2-----------------2------2-----------------
  • E --2-----------------------0------0]----------------
     
    "Sometimes ..... carried away..."
  •  
    E ---0-----------------------------2---0---1---------
    B ---3-----------------------------0---0---0---------
  • G ---0-----------------------------0---0---1---------
    D ---2-----------------------------2---2---0---------
    A ---3-----------------------------2---2---X---------
  • E ---------------------------------0---0---1--------
     
    "Sometimes a man must awake... no-one...."
  •  
    PART D: "So I'll wait for you...."
     
  • Part 1 of Part D (I have done two versions of this -- the first one
    stays closer to open position, the second one ascends the neck.)
     
  • E -------------------------------------------0-------
    B ----3-----3---------------3------------------------
    G ----2-----2---------------3----------------2-------
  • D ----0-----0-(repeat)------0----------------2-------
    A ----0-----0--------------------------------0-------
    E --2-2---2-2-------------3-3--------------2-2-------
  •  
    "So I'll wait... and I'll burn ... will I ever see..."
     
  • E -----0------------------------------------------------
    B -----3-----------------5-----------------------3---3--
    G -----0-----------------6-----------------------0---0--
  • D -----2-----------------4-----------------------2---0--
    A -----------------------------------------------3---2--
    E ---3-3-----------------5------------------------------
  •  
    "...sweet return... oh, will I ever learn..."
     
  • E ---------------------2---0-------4------2-3-2-----------
    B --5---5---5----------0---3-------3------3-3-3-----------
    G --2---2---2-----2----0---0-------2------2-2-2-----------
  • D --2---2---2-----2----2---2-------0------0-0-0-----------
    A --4---2---0-----0----2---2------------------------------
    E ----------------2----0---0------------------------------
  •  
    E ---3----2---0---0-----------------------------------
    B ---3----0---0---3---0-------------------------------
  • G ---0----0---0---0---0-------------------------------
    D ---2----2---2---2---2-------------------------------
    A ---3----2---2---2---2-------------------------------
  • E --------0---0---0---0-------------------------------
     
    Part 2 -- The Up The Neck version...
  •  
    (Done without timing.)
     
  • E ---------------------------------------------------2---0-----
    B ---3---3---5---7----10---12---10---10---7--5---2---0---3-----
    G ---2---3---6---7-----9---12---11----9---7--6---2---0---0-----
  • D ---0---0---4---5-----7---10----9----7---5--4---0---2---2-----
    A ---0-----------------------------------------------2---2-----
    E ---2---3---5---7-----9---12---10----9---7--5---2---0---0-----
  •  
     
    PART E: "It's never over.."
  •  
    E -1--[or 4----5---------3------------2--0--0-----------
    B -0------3----7---------5------------0--3--0-----------
  • G -1------4----7---------5------------0--0--0-----------
    D -0------3]---0---------0------------2--2--2-----------
    A ------------------------------------2--2--2-----------
  • E -1----------------------------------0--0--0-----------
     
    Then into the climax, from "To keep good love from going wrong...",
  • which has a transitional G minor (see below), and then those notes
    played over the chords for PART D.
     
  • E -------------------------------------------------------------
    B --3----------------------------------------------------------
    G --3-------------------------------0-2-----2-2^4--------------
  • D --0------0------------------0---0-------2---------0----------
    A --3------------0-1-0------0---2-------4-------------4-2-0----
    E -------2---2-3-------3--2-----------------------0----------2-0-
  •  
    Done.
     
  • corpus christi carol
     
    This transcription was posted to the mailing list by Jake Leach after
  • I said I wasn't mad keen on tabbing out "Corpus Christi Carol". I have
    left it unedited, as this post is pure mad-Jake. If you see him, tell
    him we miss him! ;)
  • Oh, and note that, as a song played with a capo, Jake has chosen the
    othodox approach to tabbing fretted notes where a capo is involved --
    pretend the capo is the nut, and count from there. That's as opposed to
  • what I did in "Hallelujah", which was to tab as though the capo wasn't there.
    (In both cases, the capo is behind the 5th fret. Jake thus re-labels fret 5
    as fret 0 and works from there. I leave fret 5 as fret 5 and carry on
  • regardless. That's all.)
     
     
  • ok, just when you guys are beginning to think i'm fulla shit for
    saying i'd transcribe this bugger...it's posted, baby, as promised.
     
  • to play this tune, you will need:
     
    --a guitar
  • --patience
    --fingers
    --a capo
  • --a midget
    --an electric razor
    --1/2 cup fresh raisins
  •  
    the capo needs to be placed behind the FIFTH FRET (if you don't have
    one, use a pencil and a coupla strong rubber bands, or else your big
  • sister's hair-barrette, like i did for my first capo--just make sure you wait
    'til she takes it off first). for this tab i have numbered all of the frets
    as if we were counting from the nut and not from the capo, for a few
  • reasons. first, it makes everything way easier to understand. secondly, if you
    are not a castrato, a three-year old girl, or jeff buckley himself, you might
    want to consider playing without the capo so you can reach all the notes as
  • you sing.
     
    a few things to remember:
  •  
    1. this is not a james brown tune, so don't go chunky-funky with the
    chords. play each note of a chord individually (classical-style--they should
  • still overlap enough to make a chord instead of an arpeggio), and ALWAYS
    downstroke the chords with your pick or your fingies.
     
  • 2. give each chord or single note a simple triple count as you play
    it--1(23), 2(23), 3(23), etc. this should establish just the right
    pace for your playing, and it will come in handy later on in the song (you'll
  • see).
     
    3. yeah, there are some funny-looking chords and some inconsistencies
  • in the way things are tabbed here. that's part of the song. i tried as
    much as possible to duplicate the way jeff plays it on the recording, and
    that means using different chord inversions where he does, and throwing in
  • extra notes for the same reason. i was shooting for accuracy, clarity,
    and economy of motion at the same time. lots of things change from
    verse to verse, so read all the way through and PAY ATTENTION. notes on the
  • asterisks (or as we like to call them in indiana, "astericks") will
    follow each section.
     
  • here we go, peops...
     
     
  • THE INTRO:
     
    5 Oooooh... Oooooh...
  • E------------3--2--------------------3--2--0------------------
    B---------5--------5--3--1-----------0--------3--2------------
    G------4-----------------4--2--0-----0-----------2--2---------
  • D---2--------------------2--------4--2-----------2-----5--4---
    A-------------------------------------------------------------
    E-------------------------------------------------------------
  • *
    *(yeah, this is the same Am chord you arpeggiated at the beginning,
    but a different inversion. that's how he plays it.)
  •  
    remember, each note and chord gets a gentle 1(23) count...
     
  •  
    VERSE THE FIRST:
     
  • 5 He bear her... He bear her to an orchard ground...
    E---3--2--0-----2-----3--2---------------
    B---1--------3--1-----1-----5--3---------
  • G---0--------2--2--2--0-----5--0---------
    D---2-----------2-----------0--4--4------
    A------------------------------------5---
  • E----------------------------------------
     
    nothing strange so far, except a few out-of the way chord
  • shapes...
     
    REFRAIN:
  •  
    5 Loo lee... The falcon hath borne...
    E---3--3--------3-----5-----3--3---
  • B---1--3--5--3--3--3--2-----5--3---
    G---0--4--5--4--5--4--2-----4--4---
    D---------4-----5--4--2--4--2------
  • A---------------3--2--0-----X------
    E---------------------------0------
    *
  • *these last two chords may also be played like this, for simplicity's
    sake:
     
  • 5
    E----------
    B---8------
  • G---9--7---
    D---9--9---
    A---7------
  • E---0------
     
     
  • if you listen closely you'll notice that the low E string is actually
    pronounced in the middle of the chord you strike on the other four
    strings. it's a two-guitar thing. we'll talk about that later. for
  • now, the
     
     
  • SECOND VERSE:
     
    5 And in this... That was... In this hold... And it was laid...
  • E-3--2--0-----------3--2--------------3--2--0--------3--3--2------------
    B-1--------3--1-----1-----5--3--------1--------3--1-----1-----5--3------
    G-0--------2--4--2--0-----5--0--------0--------2--4-----0-----5--0------
  • D-2-----------2-----------0--4--4-----2-----------2-----------4--4--4---
    A----------------------------------5-----------------------------------5
    E-----------------------------------------------------------------------
  •  
     
    SECOND REFRAIN:
  •  
    5 Loo lee... The falcon hath borne...
    E---3-----2-----3-----5-----3------
  • B---1--3--3--3--3--3--2-----5--3---
    G---0--4--5--4--5--4--2-----4--4---
    D---------4-----5--4--2--4--2------
  • A---------------3--2--0-----X------
    E---------------------------0------
     
  • now for the tricky part. we're going to work in the SECOND GUITAR.
    actually, a second guitar has been playing at a lower volume and tone
    setting since the end of the first verse, "beefing up" the chords in
  • places. that means you've been doing the work of two guitars--YOU'RE A
    HINDU GUITAR GOD! GIVE YOURSELF A HAND (YOU SEEM TO HAVE SEVERAL EXTRA)!
    anyway, remember the 1(23) count i told you to keep? this is where
  • it's going to make things a lot easier; we're going to have the second
    guitar play three notes to every one of the primary guitarist's. i will set
    the guitar #2 directly under guitar #1 so you can see a direct
  • relationship (the arpeggios are dizzying when you listen to them on the disc). part
    #2, by the way, DOES NOT INVOLVE A CAPO--the numbers are the actual
    frets where the string is to be depressed.
  •  
     
    THIRD VERSE (first guitar):
  •  
    5 And on this bed there lyeth... His wound is bleeding day and...
    E---3-----2-----0-----------------------3-----2-----0-----------------------
  • B---1-----------------3-----1-----------1-----------------3-----1-----------
    G---0-----------------2-----4-----2-----0-----------------2-----2-----2-----
    D---2-----------------------2-----------2-----------------------0-----------
  • A---------------------------------------------------------------------------
    E---------------------------------------------------------------------------
     
  • (1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3)
    2nd...
    E---------------------------------------------------------------------------
  • B---------------------------------------------------------------------------
    G---------2-----------2-----------------------2-----------0---------0-----0-
    D-------3-----------3-----------5-----3-----3-----------3---------3-----3---
  • A---0-3---------0-5-----------7-----5---0-3-----------2---------2-----------
    E---------------------------5-----5-----------------3-----------------3-----
    *
  •  
     
    5 By his side there standeth... And she weepeth both night...
  • E---3-----2-----0-----------------3-----------2---------------
    B---1-----------------3-----1-----------1^3---3-----5-----7---
    G---0-----------------2-----2-----------2-----4-----5-----7---
  • D---2-----------------------2-----------0-----0---------------
    A-------------------------------------------------------------
    E-------------------------------------------------------------
  • **
    (1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3)
    2nd...
  • E-------------------------------------------------------------
    B-------------------------------------------------------------
    G---------2-----------2---------------------------------------
  • D-------3-----------3-----------5-----3-----------------------
    A---0-3---------0-3-----------7-----5-------------------------
    E---------------------------5-----5-----3-----3---------------
  •  
     
    *or, if you prefer: D-------5-----3---
  • A---0-7---0-5-----
     
    **you will notice another guitar playing these two-tone chords:
  •  
    G---1---3---5---7
    D---2---4---5---7
  •  
    with a wee bit more vibrato, to fatten the first guitar part; you
    might
  • want your second guitar to play them, if he/she can do it without
    interfering
    with that last couple of notes on the low E string...
  •  
    now back to a single capoed guitar...
     
  • FINAL REFRAIN:
     
    5 Loo lee... The falcon hath borne...
  • E---------2-----3-----3-5-2---3-2--3------
    B---5--3--1--3--3--3--2-----5------5--3---
    G---5--4--2--4--5--4--2------------4--4---
  • D---5-----0-----5--4--2------------2------
    A---3-----------3--2--0------------X------
    E----------------------------------O------
  • *
     
    *this 5-note melodic passage does not follow the 1(23) beat-per-note
  • count; instead it follows the vocal part, shadowing the words "...my
    maiden
    away."
  •  
    FINAL VERSE:
     
  • 5 By his bed... "Corpus Christi" written...
    E---3--2--0-----2-----3--2---------------
    B---1--------3--3-----1-----5--3---------
  • G---0--------2--4--2--0-----5--0---------
    D---2-----------2-----------0--4--4------
    A------------------------------------5---
  • E----------------------------------------
     
    look carefully at the last verse--a last-minute variation.
  •  
    now we go back to two guitars, one without a capo. the timing is
    simple, but the way the guitar parts are woven together is meant to
  • make you swimmy, so watch out and don't miss your cue...
     
    INSTRUMENTAL ENDING:
  •  
    5 Wooooo..
    E---------------3--------------------------------------------------7--
  • B---1--3--5--7--0---------------------------5--7--8---10--------8-----
    G---0--0--5--7--0--2--4--5--7---------------6--7--9---11-----7--------
    D---2--4--5--7--2--4--5--7--9---------------7--9--10--12--9-----------
  • A---3--5--7--9--------------------------------------------------------
    E---------------------------------------------------------------------
     
  •  
    2nd
    E---------5--7--------------------------12--13------------------------7----
  • B---6--8--------------------12--13--15-----------------------------8-------
    G---------------------------------------------------------------7----------
    D------------------------------------------------------------9-------------
  • A---------------------------------------------------------10---------------
    E--------------------------------------------------------------------------
    *
  •  
    *all these notes are actually pinched harmonics (john g or
    michael--did i get the name of this right?), which means you'll actually be hearing a
  • tone two octaves higher than the fingering indicates. if you don't know how
    to pull this off, a) ask me or b) just move each fingering up twelve
    frets to at least get a higher sound.
  •  
    i'm pretty sure i'll have to correct this last second guitar
    part, because my guitar's a mile-and-a-half walk from here, it's raining a
  • monsoon, and i'm having to do this part from memory. at least you get the idea.
    i'll fix it tommorrow.
     
  • wear yourself out...
     
    jake
  •  
    eternal life
     
  • This tab is mainly derived from the version from Live at Sin-E. It's
    pretty comparable with what is played on the Grace version. I've added
    a little bit of the road version just, well, just because!
  • (Remember, ^ means hammer-on or pull-off, > means slide.
    I've invented some new notation for this song too, necessity being the
    mother of invention and all that. Somewhere there is a tilde, i.e. ~,
  • which means sustain the note a bit. And I've finally had to tab some "bending",
    and the easiest thing to show bending up was /. So a 5/ means play fret 5
    and bend up. OK? Simple!)
  •  
    *Long bluesy introduction to Sin-e version:
     
  • E-------------- [rapid] ---X--0-0-0--0-------------------------------
    B--------------------------X--8-8-8--8-----[the X's denote where-----
    G--------------------------X--7-7-7--7------he slaps the strings-----
  • D--------------------------X--6-6-6--6------and you hear a big reverb
    A----------5-7~7^5---------X--7-7-7--7------burst]-------------------
    E--3--5--7---------7^5^3---X--0-0-0--0-------------------------------
  •  
    E------------ [rapid] -----0-|-------------------------------0--
    B--------------------------8-|-------------------------------8--
  • G--------------------------7-|-------------------------------7--
    D--------------------------6-|------------------5------------6--
    A----------5-7^5-----------7-|-----------5-7^5-7--7^5--------7--
  • E--3--5--7-------7^5^3-----0-|---3--5--7--------------7^5^3--0--
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