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  • Guitar tuned 5 steps lower - B E A D F# B low to high (although I
    suppose it could be B E A D G B to match a 5-string bass but that
    complicates things :)
  •  
    _full _1/2_
    Notation legend: 3' is a full tone bend, 3' ` is a semitone
  • bend and release. The [ lines separate the alternate endings for a
    bar. is palm muting, is left hand muting. And / is a
    slide up, \ is a slide down.
  •  
     
    spooky intro bitty...
  •  
    High and low synths arr. for guitar
    Continous Droning tremolo arm bombs.. x5
  • |-------------------------------------|-0-1-0-4-0-1-0-4-0-1-0-4-0-1-0-4-|
    |0\-----------------------------------|---------------------------------|
    |0\\-etc.-----------------------------|---------------------------------|
  • |0\\----------------------------------|-2-----------------------0-------|
    |--\----------------------------------|---------1-------0---------------|
    |-------------------------------------|---------------------------------|
  • (I don't have a tremolo arm so this
    is just a guess :( )
     
  • 1 2 w/heavy p.m 1 2
    |------------------------[---------[---|-------------------------[--------[---|
    |------------------------[---------[---|-------------------------[--------[---|
  • |------------------------[---------[---|-------------------------[--------[---|
    |9\8-----7\6-----5\4-----[---------[---|-------------------------[--------[---|
    |7\6-----5\4-----3\2-----[---------[-2-|7766----5544----3322-----[--------[-2-|
  • |----6-7-----4-5-----2-3-[-0-0-0-0-[-0-|----6677----4455----2233-[0-0-000-[-0-|
     
    (%) 1 2 3 4
  • |---------------[------------[-------------[--------------------[--------------|
    |---------------[------------[-------------[--------------------[------------9-|
    |---------------[------------[-------------[--------------------[-----------9--|
  • |9-------6---5--[---4--------[---/10-9-----[-4------------------[---/10-9--9---|
    |7-----5-4-4-3--[-3-2-2------[-3-/8--7-----[-2-3-2-2-2-2-2-2-2--[-3-/8--7------|
    |--0-0-3---2----[-1---0------[-1-----------[---1-0-0-0-0-0-0-0--[-1------------|
  •  
    1,3 2,4
    |----------------------------------[--------[--------|
  • |----------------------------------[--------[--------|
    |----------------------------------[--------[--------|
    |9-------6---5-4----9-------6---5--[-3------[-8------|
  • |7-----5-4-4-3-2-3--7-----5-4-4-3--[-1------[-6------|
    |--0-0-3---2-----1----0-0-3---2----[--------[--------|
     
  • w/synth+overdubs
    |------7-------------------------5--------------------------------|
    |----7--8-7--------------------5--6-5-----------------------------|
  • |---9-9----9------3-4-3----7--7-7----7----------------3-----------|
    |9------------6--6-6---6---7-----------8-----2--------3-----------|
    |7------------6---------6--5-----------8-----2--------1------4--3-|
  • |0------------4------------------------6-----0---------------2--1-|
     
    |------7-------------------------5--------------------------------------|
  • |----7--8-7--------------------5--6-5-----------------------------------|
    |---9-9----9------3-4-3----7--7-7----7-10-1210-1210---------3-----------|
    |9------------6--6-6---6---7-----------10-----------2-------3-----------|
  • |7------------6---------6--5-----------8------------2-------1------4--3-|
    |0------------4-------------------------------------0--------------2--1-|
     
  • (#)
    |----------------------------|--------------------------------------|
    |----------------------------|--------------------------------------|
  • |----------------------------|--------------------------------------|
    |9--------6---9-------6---10-|-9-----------6----9----------6----10--|
    |7--5--3--4---7--5--6-4-8-8--|7-7--5---3--4-4--7-7--5---6--4--8--8--|
  • |---3--1---------3--4---6----|----3-3-1-1----------3-3--4-----6-----|
    x2 1 2
    |----------------------------|------------------------------------[----[---|
  • |----------------------------|------------------------------------[----[---|
    |----------------------------|------------------------------------[----[---|
    |9--------6---9-------6---10-|----------------6--------------6----[-10-[---|
  • |7--5--3--4---7--5--6-4-8-8--|-------5--------4--------5---6-4--8-[-8--[-3-|
    |---3--1---------3--4---6----|000000-3-000000---000000-3---4----6-[----[-1-|
     
  • (*)
    |----------------------------------------------------------------------------|
    |----------------------------------------------------------------------------|
  • |----------------------------------------------------------------------------|
    |-------------------------------------------------------------------------2--|
    |-----------/8--------------------------/5--------------------------8--3-5-2-|
  • |00000000000--666666666666\-000000000000--666666666666-000000000000-6--1-3-0-|
     
    Lead fills over the tab from (%) to (#)
  • |---------------------------|--------------------------------------------------|
    |---------------------------|--------------------------------------------------|
    |---------------------------|--------------------------------------------------|
  • |9\8-----7\6-----5\4--------|--12h15p12--12------------------------------------|
    |7\6-----5\4-----3\2------2-|----------14--14-12\11--11------------------------|
    |----6-7-----4-5-----2-3--0-|----------------------13--13-12-10-12h13-12\10/12-|
  •  
     
    |-----------------------------------------------------------------------------|
  • |-----------------------------------------------------------------------------|
    |-----------------------------------------------------------------------------|
    |-----------------------------------------------------------------------------|
  • |-----11h12p11-------12h14h15p14p12----11h12h14p12p11-------------------------|
    |12h13--------12---13----------------12---------------12-13-12-10-12----------|
     
  •  
    |------19p16-------------------------------------|
    |----18-----18-------------18---17h20p17--17~~~--|
  • |--19---------19p16--16h19--------------19-------|
    |18----------------18----------------------------|
    |------------------------------------------------|
  • |------------------------------------------------|
     
    _full_
  • |--------------------------------------------|------------17'------`----------|
    |15-13-12-------------------------12-15-17h20p17~~~-15h17------------17p15h17-|
    |--------14-13--------------13-14------------|--------------------------------|
  • |-------------15-14-12-14-15-----------------|--------------------------------|
    |--------------------------------------------|--------------------------------|
    |--------------------------------------------|--------------------------------|
  •  
    The rhythm figure from (%) keeps going for 3 more bars, ending at (#)
     
  •  
    Solo:Compost humous horticulture
    E5 G#5 D5 A#5
  • |------------------_full----------------------------------|
    |---------7h8---10'-------10-8-----------------7-7h8p7-7--|
    |-9~~~-------------------------7~~~---777---9---------9---|
  • |------------(10)-----------------------------------------|
    |---------------------------------------------------------|
    |---------------------------------------------------------|
  •  
    E5 G#5 _full_ D5 E#5 _1/2_ (p.s)
    |---------------10'------`----8-7---777-8-10-------7--7'-----`-----|----------|
  • |---------7h8--------------------------------10-10-------------10--|----------|
    |-9~~~-----------------------------------------------------------10\9-----x\--|
    |------------(10)--------------------------------------------------|2-----x\\-|
  • |------------------------------------------------------------------|2-----x\\-|
    |------------------------------------------------------------------|0-------\-|
     
  • Play from (#) to (*) then:
    Riff B x2
    ~--|-------------------------------------------|
  • ~--|-------------------------------------------|
    ~--|-------------------------------------------|
    ~--|-----2-3---3--------------2-3--------/10-9-|
  • ~-2|-----0-1---1--5-3-2-------0-1--5-3---/8--7-|
    ~-0|-0-0----------3-1-0---0-0------3-1---------|
     
  • w/Riff B Solo: Humanure
    |------------7h12p7--------------------------------------|
    |----------8--------8------------------------------------|
  • |--------9------------5/7~~~----9h10p9--7--6h7p6---------|
    |------9------------------------------------------8\7/8--|
    |-7-10---------------------------------------------------|
  • |--------------------------------------------------------|
     
     
  • |-------------------------------------------767777-121212-10h12h13~~~---|
    |------------------------------------878888-----------------------------|
    |-----------------------------989999------------------------------------|
  • |----------------------989999-------------------------------------------|
    |--767777--10910101010--------------------------------------------------|
    |-----------------------------------------------------------------------|
  •  
     
    |-/22~~~p19-----------------------22~~~(19)----------6/12-15-12-13----------
  • |/---------20----------------17/21--------20----------|-----------15-12-13--
    |------------21-17~~~---14h17---------------21/22-----|---------------------
    |-----------------------------------------------------|---------------------
  • |-----------------------------------------------------|---------------------
    |-----------------------------------------------------|---------------------
     
  •  
    --------------------------------------------------|------
    -15/18\15-13-12-13-15-13-12--12-------------------|------
  • ---------------------------14--14-12-14/16-14-12--|------
    ------------------------------------------------15|14~~~-
    --------------------------------------------------|------
  • --------------------------------------------------|------
     
    (!)
  • |-----------------------------------------------------------------------|
    |------------------------------------------------13--12h13p12-----------|
    |------------------------------------------------12--12-------12--------|
  • |2--6-5---------5--5\---9/10-7\6--/13--12------------------------12~~~--|
    |2--6-5---------5--5\---7/8--5\4--/11--10--10-10------------------------|
    |0--4-3--3-3-3--3--3\---------------------------------------------------|
  •  
     
    |----------------------------------------------------------------15~~~--|
  • |------------------------------------------------13--12h13p12----15~~~--|
    |------------------------------------------------12--12-------12--------|
    |2--6-5---------5--5\---9/10-7\6--/13--12-------------------------------|
  • |2--6-5---------5--5\---7/8--5\4--/11--10--10-10------------------------|
    |0--4-3--3-3-3--3--3\---------------------------------------------------|
     
  • 1 2
    |-----------------------------------------------[---------[--------|
    |-----------------------------------------------[---------[--------|
  • |-----------------------------------------------[---------[--------|
    |--------6------------6------------6------------[-6-------[------3-|
    |--------4-6----------4-5----------4-6----------[-4---5---[--------|
  • |31013101--4-31013101---3-31013101---4-31013101-[---0-3---[-0-3-4--|
     
    x4 (second two times with roots+fifths
  • |-----------------------------------| i.e. power chord shapes)
    |-----------------------------------|
    |-----------------------------------| Play from (!) to here
  • |---------3-2-------------3-2-------|
    |-----5-4---------------------4-5---|
    |-0-6---------3-4---0-3-4---------6-|
  •  
     
    x2
  • |-----------------------------------------|
    |-----------------------------------------|
    |-----------------------------------------| Play Riff C x4, Riff D, Riff D1
  • |-----------------------------------------|
    (333|6)6-6-6--6-4-4-4--444-5-5-5--5-3-3-3-|
    (111|4)4-4-4--4-2-2-2--222-3-3-3--3-1-1-1-|
  • ^2nd time
     
    ~---------------|--------------------------------------------------------|
  • ~---------------|--------------------------------------------------------|
    ~---------------|--------------------------------------------------------|
    ~---------------|----------------3/4-4/5-5/6-----------------7\6-6\5-5\4-|
  • ~-444/5--5--3-3-|2-------3\2-----1/2-2/3-3/4-5-------6\3-----5\4-4\3-3\2-|
    ~-222/3--3--1-1-|0-0-0-0-1p0-0-0----0---0----3-3-3-3-4\3-3-3----0---0----|
     
  • Play Riff E1, Riff C1, Riff E x2
     
    Outro p.m p.m
  • |----------------------------------------------------------------------------|
    |----------------------------------------------------------------------------|
    |----------------------------------------------------------------------------|
  • |2--------------7\6-6\5---------------9---------7---6------9\8-----7\6-------|
    |2--------------5\4-4\3---2-3---------7-------6-5-5-4------7\6-----5\4-----2-|
    |0----------0-0----0------0-1-----2-3-----0-0-4---3------------7-5-----3-5-0-|
  •  
    |-----------------------------------|
    |-----------------------------------|
  • |-----------------------------------|
    |-2---------2---------2---------2---|
    |-2---------2---------2---------2---|
  • |-0---------0---------0---------0---|
     
     
  • A body is commited to a public mortuary. Any victim of sudden or unexpected
    death will be brought in for a post-mortem by a pathologist : their job is to
    establish the cause of death. But sometimes a body is unrecognisable. Then it
  • is vital, especially if murder is suspected, to establish identity...
     
    Insipid fumes bellow from the atrabilious chimney
  • Whilst in the sanctified crevet I calmly pillage and rake
    For hot dry powdered human slag
    Still steaming in the crematorium's gate
  •  
    Bio-organic ebullition, bones tar, tallow dehydrates
    For my deleterious horticulture so that I may cultivate
  •  
    Your mortal mechanism dies - in nutrients rich
    In the hallowed turf you lie - just for the taking
  •  
    Charred sinew's as good as lime, no phosphates do I need
    Deteriorated flesh used as top-soil, to replenish and nourish seed
  • Spreading the human potash, as ash matured
    Recycling my rich harvest, bring out your dead - for use as manure
     
  • Irrigating tears are shed, but the ground must still be fed,
    And there's no rest for the dead
     
  • Tipping and dusting up the spilt contents of urns
    Every morsel that glows as embers on the fire
    Extinguishing all hope of beatrific dispatch
  • These charred chassis desired
     
    Exequiet rites now performed, a coronach sooting up the flu
  • Enter my execrable inferno, even in the afterlife there's work to do
     
    The nitrogen content's high - but the flesh is weak
  • At the graveside mourners cry - your're never to wake again
     
    Burnt brisket renews the ground, to germinate my seed
  • Cremated bodies are my spoil, to use them as plant feed
    Ploughing this abhorrent human manure
    Seedling my rich harvest, bring out your dead - for the soils to devour
  •  
    Dry the dead are bled, because the ground must be fed,
    And there's still no rest for the dead
  •  
    I propagate - dust in the grate
     
  • Ashes to ashes - dust to dust, diluted in water and sprayed on crops,
    Charcoal, fats, flesh and soot fetilising pasture with active fertile rot
     
  • Incumbent - latent calories are spent
     
    Ashes to ashes - dust to dust, renewing the land with corpses corrupt
  • Mortuary scrapings, hearses a must, to the hot hearth the deceased are trussed
     
    Harvesting the defouled, to fertilise my soil
  • Rejuvenating the spent with my fecundate spoils
     
    Reaping the gone, to nourish the land
  • Replenishing exhausted pasture with my uncanny sleight of hand
    Restoring the natural balance, sowing my seed
    Dafalcating the departed, I rapt and glean...
  •  
    So I recite my contrite lament, lacrimation for the dead
    Their rest which I disturb...
  • Where should stand row upon row of cold grey remebrance stones
    My cash crops now grow...
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