Musical Box

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  • Intro
    F# C#sus4 F# C#sus4
    ---6--------6--7--6---4---4-----6--7--6----6--6--6---4---------
  • ---7--------7--7--7---7---7-----7--7--7----7--7--7---7---------
    ---6--------6--6--6---6---6-----6--6--6----6--6--6---6---------
    ---4--------4--4--4---6---6-----4--4--4----4--4--4---6---------
  • ---4--------4--4--4---4---4-----4--4--4----4--4--4---4---------
     
    I'm not convinced that the C#sus4 is right, but there are two
  • guitars going here, and it's tough to get the voicing exactly
    right.
    From here...
  •  
    GTR I
    Play me Old King Cole....
  • Bm F#
    -----2-------2-------2-------2-------2-------2-------2-------2---
    ---3---3---3---3---3---3---3---3---2---2---2---2---2---2---2---2-
  • -4-------4-------4-------4-------3-------3-------3-------3-------
     
    >snip here
  •  
    Here's the way I've figured out the closing section to "the Musical Box"
    on Broadway" when they play live (Check out Seconds Out to see what
  • I mean)
     
    Here are the major patterns for the first bit (the "she's a lady" part)
  •  
    all below are 2 beats each...
    F# pattern D#m pattern C# pattern E pattern
  • e----9-7-9--------6-4-6--------4-2-4----------0--------------------------
    B---7-7-7-7------4-4-4-4------2-2-2-2--------0-0-------------------------
    G-------------------------------------------1---1------------------------
  • D------------------------------------------2-----2-----------------------
    A--9------------6------------4------------2-------2----------------------
    E------------------------------------------------------------------------
  •  
    Below is 8 beats (2 measures)
    F# pattern 2
  • e------------------------------------------------------------------------
    B----2---2---2---0----2---2---2------------------------------------------
    G-----3---3---3---1----3---3---3-----------------------------------------
  • D------4---4---4---2----4---4---4----------------------------------------
    A------------------------------------------------------------------------
    E---2---2---2---0----2---2---2---2---------------------------------------
  •  
    Putting it together:
    (the chord name is the pattern name here. each "/" is 1 beat)
  •  
    |F# / F# / |F# / F# / |D#m / D#m / |D#m / D#m /|
    She's a lady, she's got time Oh
  • She's a lady, she is mine Oh
     
    C# / C# / |E / E / |F# no. 2 :||
  • Brush back your hair, and let me get to know your face
    Brush back your hair, and let me get to know your flesh.
     
  •  
    Now Tony comes in on the organ.
    |-|
  • Organ: |F# B C# F# |/. B C# F# C#| D#m. A#m D#m. A#m |
    I've been waiting here for so long
    You stand there with your fixed expression casting doubt on all I have to say
  •  
     
    |C# G#m B / |F#. E F# E F#| E. F# E F# E |
  • and all this time has passed me by It hardly seems to
    why don't you touch me, touch me why don't you touch me, touch me
     
  • ____________
    |1.
    |B. E F# E B E |F# / / / :||
  • matter now
    touch me now now now now now
    ________________
  • |2.
    ||: F# . E F# E B E |B . E F# E B E F# :|| repeat this a few times
    now now now now now
  •  
    ending
     
  • |B / / / |C# / / / |F# / / / | B / / / |C# / / / | F# / / B C# |F#
     
    The rapidly alternating part flips between an F# and a C#, and
  • finally ends on F#
     
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Musical Box
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