High Falootin Mama

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  • it's a blues scheme in C
    later on in C#
     
  • for the C part:
     
    C-type: F-type: G-type:
  • change between C and F: change between F and Bb change between G and C
     
    C F F Bb G C
  •  
    e---------------- e--------------- e---------------|
    B--------10------ B--------------- B---------------|
  • G---9----10------ G---10---11----- G---12---13-----|
    D---10---10------ D---10---10----- D---12---12-----|
    A---10---8------- A---10---12----- A---12---14-----|
  • E---8------------ E--------------- E---------------|
     
    NOTE: for the F- and G-type bar your index finger on the 10th (F-type) and 12th (G-type) fret
  •  
    for the C# part:
     
  • C#-type: F#-type: G#-type:
    change between C# and F#: change between F# and Bb change between G# and C#
     
  • C# F# F# B G# C#
     
    e---------------- e--------------- e---------------|
  • B--------11------ B--------------- B---------------|
    G---10---11------ G---11---12----- G---12---13-----|
    D---11---11------ D---11---11----- D---12---12-----|
  • A---11---9------- A---11---13----- A---12---14-----|
    E---9------------ E--------------- E---------------|
     
  • Intro: C D# Bb C# C two times, then start off with the C-part
     
    for the intro, use chords as following:
  •  
    C D# Bb
    e--------------------------|
  • B--------------------------|
    G---9----12----7----10-----|
    D---10---13----8----11-----|
  • A---10---13----8----11-----|
    E---8----11----6----9------|
     
  • [C-type]
    I can see you comin' mama, yes, you're movin' on down the line.
    [F-type] [C-type]
  • I can see you comin' mama, yes, you're movin' on down the line.
    [G-type] [F-type] [C-type]
    You done have left a thousand men, and they're all back there cryin'.
  •  
    [C-type]
    She's a high falootin' woman, and she just can't do no wrong.
  • [F-type]
    She's a high falootin' woman, and she just can't do no wrong.
    [G-type] [F-type] [C-type]
  • She's gonna' cry some day, and I know it can't be too long.
     
    C D# F 2 times F G# Bb C D# F G-type F-type
  •  
    then the song goes into C#-major
    (play the same with the C#, F# and G# types)
  •  
    C#.....
     
  • She's got hips like a honey, and, Lord, she can make 'em move.
    She's got hips like a honey, and, Lord, she can make 'em move.
    And she'll do anything to make you get in her groove.
  •  
    Lord have mercy on you woman, and your wicked soul.
    Lord have mercy on you woman, and your wicked soul.
  • 'Cause that high falootin' woman, gonna' live til she's a hundred years old.
     
    in the outro there's a D after the C# and then back to C#.
  • end.
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High Falootin Mama
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