Golgotha

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  • C Standard tuning (C F A# D# G C)
     
    Intro:
  •  
    |------------------------------|
    |------------------------------|
  • |------------444----------555--|
    |-6--------------666--333------|
    |-4--7--6--3-------------------| x 7
  • |----5--4--1-------------------|
     
     
  • |----------------------------------------------------|
    |----------------------------------------------------|
    |----------------------------------------------------|
  • |-6--------4--------6--------------------------------|
    |-4--7--6--2--5--4--4--7--6----3-------4------[5]----|
    |----5--4-----3--2-----5--4------2--1----3-2---------|
  •  
     
    |-----------------------------------------------------------------------------|
  • |-----------------------------------------------------------------------------|
    |-----------------------------------------------------------------------------|
    |--------------------------7777---------------------------------------7777----|
  • |-------------------------------6666----------------------------6666----------|
    |-000000-666666----5-3-5-3------------000000-222222--3-2-3-2------------------|
     
  •  
    |-------------------------------------|
    |-------------------------------------|
  • |-------------------------------------|
    |-----------5555------2222-1111-------|
    |-4444-3333------2222-----------1111--|
  • |-------------------------------------|
     
     
  • |--------------------------------------|
    |--------------------------------------|
    |--------------------------------------|
  • |-------------------4-3----------------|
    |------2-3---2tr3---2-1--3-2-----------|
    |1tr2--0-1---------------1-0-----------|
  •  
     
     
  •  
    |---------------------------------------------------|
    |---------------------------------------------------|
  • |---------------------------------------------------|
    |---[2]----5-6-5-----------[2]----5--6--5-----------|
    |-2-----3--3-4-3--4-5-4--2-----3--3--4--3--4-5-4----|
  • |-0-----1---------2-3-2--0-----1-----------2-3-2----|
     
     
  • |------------------------------------------------------------------------------------|
    |------------------------------------------------------------------------------------|
    |------------------------------------------------------------------------------------|
  • |---------666---------------------------------------666------------------------------|
    |-----555-------222-444-333------444------------555-------222-444-333------444-------|-During solo
    |-444------------------------333-----333----444------------------------333-----333---|
  •  
     
     
  • |---------------------------------------------------|
    |---------------------------------------------------|
    |---------------------------------------------------|
  • |---------7777--------------------------------------| - During second solo
    |-----6666-------2222-4444-3333---------------------|
    |-5555----------------------------2222-4444-3333----|
  •  
     
    |--------------------------------------|
  • |--------------------------------------|
    |--------------------------------------|
    |-------------------4-3----------------|
  • |------2-3---2tr3---2-1--3-2-----------|
    |1tr2--0-1---------------1-0-----------|
     
  •  
    |---------------------------------------------------|
    |---------------------------------------------------|
  • |---------------------------------------------------|
    |---[2]----5-6-5-----------[2]----5--6--5-----------|
    |-2-----3--3-4-3--4-5-4--2-----3--3--4--3--4-5-4----|
  • |-0-----1---------2-3-2--0-----1-----------2-3-2----|
     
    After these parts repeat the first, second and third parts accordingly.
  •  
    Duration Legend
     
  • W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
    + - note tied to previous; . - note dotted; .. - note double dotted
    Uncapitalized letters represent notes that are staccato (1/2 duration)
  • Irregular groupings are notated above the duration line
    Duration letters will always appear directly above the note/fret number it represents the
    duration for. Duration letters with no fret number below them represent rests. Multi-
  • bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
    melody durations appear below the staff
     
  • Tablature Legend
     
    h - hammer-on
  • p - pull-off
    b - bend
    pb - pre-bend
  • r - bend release (if no number after the r, then release immediately)
    /\ - slide into or out of (from/to "nowhere")
    s - legato slide
  • S - shift slide
    - natural harmonic
    [n] - artificial harmonic
  • n(n) - tapped harmonic
    ~ - vibrato
    tr - trill
  • T - tap
    TP - trem. picking
    PM - palm muting
  • \n/ - tremolo bar dip; n = amount to dip
    \n - tremolo bar down
    n/ - tremolo bar up
  • /n\ - tremolo bar inverted dip
    = - hold bend; also acts as connecting device for hammers/pulls
    <> - volume swell (louder/softer)
  • x - on rhythm slash represents muted slash
    o - on rhythm slash represents single note slash
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Golgotha
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