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- (Drop D tuning, Capo 2)Fig.1
- E|-10-----------9-----------7--9--10--9-----------|B|-----7-----7-----7-----7----------------10-7----|
- G|--------7-----------7-------------------------7-|D|------------------------------------------------|A|--------------0-----------------------0---------|
- D|-0------------------------0---------------------|
- E|-10-----------9-----------7--9--10--9-----------|B|-----7-----7-----7-----7----------------10-7----|G|--------7-----------7-------------------------0-|
- D|------------------------------------------------|A|--------------0-----------------------0---------|D|-0------------------------0---------------------|
- Fig.2
- E|------5---------3---------------5---------3----|B|-s/5-----5----------3------s/5-----5---------3-|G|-s/6--------6-----------4--s/6--------6--------|
- D|-s/7------------5----------s/7------------5----|A|---0-------------------------0-----------------|D|-----------------------------------------------|
- E|---------------------------------|
- B|-0--2--3-----0-------------------|G|----------2-----0--2-------------|D|-------------0--------4--5-----4-|
- A|-------0-----------0--------0----|D|-------------------------------0-|
- Fig.3E|-------------------------------------0--2--3--5-|
- B|----------------------3-----0--2--3-------------|G|-------------------0-----0----------------------|D|----------0--2--4-----------------------0-------|
- A|-0--2--4----------------------------------------|D|----------------------------------0-----------0-|
- E|-------------------------------------0--2--3--5-|B|----------------------3-----0--2--3-------------|G|-------------------0-----0----------------------|
- D|----------0--2--4-----------------------0-------|A|-0--2--4----------------------------------------|D|----------------------------------0-----------0-|
- E|----0--2--3--------0----------|
- B|-2-----------0--3-----2-----3-|G|-------------------------0----|D|-------------------0----------|
- A|----------2-------------------|D|----------------------------0-|
- N.B. From this point onwards guitar 2 comes in to complementthe melody. Listen to the recording for the timing of guitar2 over guitar 1 (listen with headphones to better hear each
- part, the two guitars are panned to extreme left and right).Fig.4 (Guitar 2 over Fig.1)
- E|-2-----------0------------------------------------|B|-------------------------3--------2---------------|
- G|----2-----2-----2-----2-----2-----------2---------|D|-------0-----------0-----------0------------4-----|A|------------------------------------------------0-|
- D|-0-----------0-----------0-----------0------------|E|-2-----------0------------------------------------|
- B|-------------------------3--------2---------------|G|----2-----2-----2-----2-----2-----------2---------|D|-------0-----------0-----------0------------4-----|
- A|------------------------------------------------0-|D|-0-----------0-----------0-----------0------------|
- Fig.5 (Guitar 2 over Fig.2)E|----0----------------------------------------|
- B|-5-------------------------------------------|G|-6-----6----------4------------2-----------0-|D|-7---------7------------0------------2-------|
- A|-0-------------------------------------------|D|---------------------------------------------|
- E|-----------------0--2--3---------0----|B|--------------3---------------2-----3-|G|-----------0---------------0----------|
- D|-0--2---------0---------------------0-|A|---------------------------0----------|D|-------0------------0---------------0-|
- Fig.6 (Guitar 2 over Fig.3)
- E|----------0--2--3--5-----2--3--5--3--2--0----|B|-2--3--5--------------3--------------------3-|G|---------------------------------------------|
- D|-------------0--------0----------------------|A|---------------------------------------------|D|-------0-----------0-----------------------0-|
- E|----------0--2--3--5---------------------------|
- B|-2--3--5---------------------------------------|G|-----------------------------------------------|D|-------------0------------------0--------------|
- A|-----------------------0--2--4-----0--2------0-|D|-------0-----------0----------------------4----|
- E|------------------|B|------------------|
- G|------------------|D|----0-------------|A|----------2-------|
- D|----------------0-|Fig.7 After the ascending piece (Fig.3) has been played
- through twice it changes to this:E|-------------------------------------------------|
- B|-------------------------------------------------|G|-------------------------------------------------|D|----------0------------------------------------0-|
- A|-0--2--4-----0--2-----0--------------0--2--4-----|D|-------------------4-----0--2--4--5--------------|
- E|----------------------------0--2--3--------0---------|B|----0--2--3-----0--------2-----------0--3-----2----3-|
- G|-2-----------2-----0--2--------------------------0---|D|----------------0--------------------------0---------|A|----------------------0-----------0------------------|
- D|----------0----------------------------------------0-|Fig.8 (Guitar 2 over Fig.7)
- E|-------------0--2--3--5-----2--3--5--0------------|B|-0--2--3--5--------------3--------------0--2--3---|
- G|--------------------------------------------------|D|----------------0-----------------------------0--0|A|-------------------------------0------------------|
- D|----------0-----------0---------------------------|E|---------------------------------------|
- B|---------------------------------------|G|----------------------0--2--0----------|D|----------0-----2--4-----------4--2--0-|
- A|-0--2--4-------------------------------|D|---------------------------------------|
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Tablatures guitarede MCTELL RALPH Rizraklaru (2) Skitarrate pour jouer votre musique, l'ètude des 'èchelles, des positions pour guitare, la recherche, la gestion, la demande et envoyer accords, paroles et partitions
