Obsidian

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  • Q - quarter note
    E - eighth note
    S - sixteenth note
  • E. - dotted eighth
    H. - dotted half
    X - dead note, a percussive sound
  •  
    Tempo: 88bpm, slow.
     
  • Clean intro: x8
    Tuning: 7-string B standard
    Phaser throughout, and ring modulation on fading feedback.
  • Time signatures: 7/8 x8, then 1/4 x1 for one play-through. Let ring.
    e|-----------|-----------|-----------|-----------|
    B|-----------|-----------|-----------|-----------|
  • g|:----------|-----------|-----------|-----------|
    D|:----0---0-|-----0---0-|-----0---0-|-----0---0-|
    A|:--5---5---|---5---5---|---5---5---|---5---5---|
  • E|-----------|-----------|-----------|-----------|
    B|-3---------|-7---------|-6---------|-7---------|
    Q E Q E E Q E Q E E Q E Q E E Q E Q E E
  •  
    e|-----------|-----------|-----------|-----------|---|
    B|-----------|-----------|-----------|-----------|---|
  • g|-----------|-----------|-----------|-----------|--:|
    D|-----0---0-|-----0---0-|-----0---0-|-----0---0-|--:|
    A|---5---5---|---5---5---|---5---5---|---5---5---|--:|
  • E|-----------|-----------|-----------|-7---------|---|
    B|-3---------|-7---------|-6---------|-----------|-7-|
    Q E Q E E Q E Q E E Q E Q E E Q E Q E E Q
  •  
    Rhythm: x14, until the end.
    Tuning: 8-string, down a whole step; then drop-D: below normal bass range.
  •  
    Time signatures: (13/16, 15/16)x4, then 16/16. Fits over 8 bars of 4/4. For the
    2b1, pre-bend a 1 up to 2, and release.
  • d|-----|-----|-----|-----|-----|-----|-----|-----|---------|
    a|-----|-----|-----|-----|-----|-----|-----|-----|---------|
    f|-----|-----|-----|-----|-----|-----|-----|-----|---------|
  • C|:----|-----|-----|-----|-----|-----|-----|-----|--------:|
    G|:----|-----|-----|-----|-----|-----|-----|-----|--------:|
    D|-----|-----|-----|-----|-----|-----|-----|-----|---------|
  • A|-----|-----|-----|-----|-----|-----|-----|-----|---------|
    D|-0-X-|-0---|-0-X-|-0---|-0-X-|-0---|-0-X-|-0---|-0-X-2b1-|
    H.S H.+E. H.S H.+E. H.S H.+E. H.S H.+E. H.S E.
  •  
    Dissonance 1: x7
    Tuning: same as above.
  •  
    Time signatures: same as above.
    R is a rest.
  • Second guitar doubles up with an 8 instead of the 7, to form a minor second.
    d|------------|-----------|-----------|-----------|
    a|------------|-----------|-----------|-----------|
  • f|------------|-----------|-----------|-----------|
    C|:-----------|-----------|-----------|-----------|
    G|:-R-7-7-7-7-|-R-7-7-7-7-|-R-7-7-7-7-|-R-7-7-7-7-|
  • D|------------|-----------|-----------|-----------|
    A|------------|-----------|-----------|-----------|
    D|------------|-----------|-----------|-----------|
  • E.E.E.S E. E.E.E.E.E. E.E.E.S E. E.E.E.E.E.
     
    d|------------|-----------|-----------|-----------|--------------|
  • a|------------|-----------|-----------|-----------|--------------|
    f|------------|-----------|-----------|-----------|--------------|
    C|------------|-----------|-----------|-----------|-------------:|
  • G|--R-7-7-7-7-|-R-7-7-7-7-|-R-7-7-7-7-|-R-7-7-7-7-|-R-7-7-7-7-R-:|
    D|------------|-----------|-----------|-----------|--------------|
    A|------------|-----------|-----------|-----------|--------------|
  • D|------------|-----------|-----------|-----------|--------------|
    E.E.E.S E. E.E.E.E.E. E.E.E.S E. E.E.E.E.E. E.E.E.S E.E.
     
  • Dissonance 2: x7
    Everything: same as above.
    For the remainder of the song, the above dissonance is down an octave, so guitar 1
  • plays 5 on the low A string, and guitar 2 plays 6 on the low A string.
     
    Except: for the first bar of 13/16, guitar one plays 7 on the G string, while
  • guitar 2 drops down an octave to play 6 on the low A string, to have a single bar
    of a major seventh. The first guitar then drops down an octave to form a minor
    second again until the abrupt end with no fadeout.
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Obsidian
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