Anji

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  • PART A (4/4)
    ---------0h1p0---0---------------|-0-------0-----------------------------
    -----2---------2-------------2---|-----2---------------------------------
  • ---------------------------------|---------------------2-----------------
    -0-------0-----------------------|---------------------------------------
    -----------------3-------3---------1-------1-------0-------0-------------
  •  
    ---------0h1p0---0---------------|-0h1p0---0-----------------------------
    -----2---------2-------------2---|-------2---------------------2---------
  • ---------------------------------|---------------------2-----------------
    -0-------0-----------------------|---------------------------------------
    -----------------3-------3---------1-------1-------0-------0-------------
  •  
    ---------------------0------------------------------(--0-----------------
    ---------0h1p0---0---------------|-1-------1---0-----)-0-----------------
  • -----2---------2-------------2---|-----2------------(--2-----------------
    ---------------------------------|-------------------)-2-----------------
    -0-------0-----------------------|---------------------------------------
  • -----------------3-------3---------1-------1-------0---------------------
     
    ---------0h1p0---0---------------|-0h1p0---0-----------------------------
  • -----2---------2-------------2---|-------2-------------------------------
    ---------------------------------|---------------------------------------
    -0-------0-----------------------|---------------------------------------
  • -----------------3-------3---------1-------1-------0-------0-------------
     
    ---------0h1p0---0---------------|-0h1p0---0-----------------------------
  • -----2---------2-------------2---|-------2-------------------------------
    ---------------------------------|---------------------------------------
    -0-------0-----------------------|---------------------------------------
  • -----------------3-------3---------1-------1-------0-------0-------------
     
    ---------------------0------------------------------(--0-----------------
  • ---------0h1p0---0---------------|-1-------1---0-----)-0-----------------
    -----2---------2-------------2---|-----2------------(--2-----------------
    ---------------------------------|-------------------)-2-----------------
  • -0-------0-----------------------|---------------------------------------
    -----------------3-------3---------1-------1-------0---------------------
     
  • ---------------------0-------------------------------(-0-----------------
    ---------0h1p0---0---------------|-1-------1---0----)--0-----------------
    -----2---------2-------------2---|-----2-------------(-2-----------------
  • ---------------------------------|------------------)--2-----------------
    -0-------0-----------------------|---------------------------------------
    -----------------3-------3---------1-------1-------0---------------------
  •  
    ----------------------------------------------------(--0-----------------
    ---------1-------1---1-----------|-1-------1---0-----)-0-----------------
  • -----2-------2---------------2---|-----2------------(--2-----------------
    ---------------------------------|-------------------)-2-----------------
    -0-------0-----------------------|---------------------------------------
  • -----------------3-------3---------1-------1-------0---------------------
     
    ----------------------------------------------------(--0-----------------
  • ---------1-------1---1-----------|-1-------1---0-----)-0-----------------
    -----2-------2---------------2---|-----2------------(--2-----------------
    ---------------------------------|-------------------)-2-----------------
  • -0-------0-----------------------|---------------------------------------
    -----------------3-------3---------1-------1-------0---------------------
     
  • -------------------------0-----------------------------------------------
    -----------------1-------1-------|---------0h1p0---1---------------------
    -----2-------------------2-------|-----2---------2-----------------------
  • -------------------------2-------|---------------------------------------
    -0-------0-------0---------------|-0-------0-------0-------0-------------
     
  • -----------------------------------------------------------0-------------
    ---------1---3~------1-----------|-------------------------1-------------
    -----2-------------------2-------|---------1-------2-------2---2---------
  • -----------------------------0---|-----2-------------------2-------------
    -0-------0-------0-------0-------|---------2-------0---------------------
    -----------------------------------0-------------------------------------
  •  
    ---------0h1p0---0---------------|-0h1p0---0-----------------------------
    -----2---------2-------------2---|-------2-------------------------------
  • ---------------------------------|---------------------------------------
    -0-------0-----------------------|---------------------------------------
    -----------------3-------3---------1-------1-------0-------0-------------
  •  
    ---------0h1p0---0---------------|-0h1p0---0-----------------------------
    -----2---------2-------------2---|-------2-------------------------------
  • ---------------------------------|---------------------2-----------------
    -0-------0-----------------------|---------------------------------------
    -----------------3-------3---------1-------1-------0-------0-------------
  •  
    PART B (4/4)
    ---------3~------3---1-----------|-3~------3~------3---1-----------------
  • -----2-------------------2-------|-------------------------2-------------
    ---------------------------------|---------------------------------------
    -0-------0-------0-------0-------|-0-------0-------0-------0-------------
  •  
    ---------3~------3---1-----------|---------------------------------------
    -----2-------------------2---0---|---------0-------2-------2-------------
  • ---------------------------------|-2-----------------------2-------------
    -0-------0-------0-------0-------|-----------------0-------0-------------
    -----------------------------------0-------0-----------------------------
  •  
    ---------3~------3---1-----------|-3~------3~------3---1-----------------
    -----2-------------------2-------|-------------------------0-h-2---------
  • ---------------------------------|-------------------------0-h-2---------
    -0-------0-------0-------0-------|-0-------0-------0-------0-------------
    (2/4)
  • ---------------------------------------------------
    ---------3~------3---1-----------|-----------------
    -----2-------------------2---0---|---------0-------
  • ---------------------------------|-2---------------
    -0-------0-------0-------0-------|-----------------
    -----------------------------------0-------0-------
  •  
    Play 4 measures of Part A into Part C1.
     
  • PART C1
    1/4 3/4 4/4
    -----1---p-0---1-p-0---------------|-----------------------------1---p---
  • ---------|-----------------2-------|-1-------------------------------|---
    -----2---p-0---2-p-0---------------|-----------------------------2---p---
    ---------|-----------------3-------|-2---------------2---------------|---
  • -0-------------------------------------------0---------------0-----------
    3/4 4/4
    --------------------------------------------------------------
  • p-0---1-p-0---------------|-----------------------------------
    |-----------------2-------|-1---------------------------------
    p-0---2-p-0---------------|-----------------------------------
  • |-----------------3-------|-2---------------2-----------------
    ------------------------------------0---------------0---------
    3/4 4/4
  • -------------------------------------------------------------
    s3---3---1---0-----------|-----------------------------1---p-
    ---------------------2---|-1-------------------------------|-
  • s3---3---2---0-----------|-----------------------------2---p-
    ---------------------3---|-2---------------2---------------|-
    -----------------------------------0---------------0---------
  • 3/4 4/4
    --------------------------------------------------------------
    p-0---1-p-0---------------|-----1-p-0---1-p-0-----------------
  • |-----------------2-------|-1-----------------------2---------
    p-0---2-p-0---------------|-----2-p-0---2-p-0-----------------
    |-----------------3-------|-2-----------------------3---------
  • --------------------------------------------------------------
    5/4
    -------------------------------------------
  • -------------------------------------------
    -1---------------------------0-------2-----
    -------------2-----------------------------
  • -2---0-------------------------------------
    -----------------3-------1-------0---------
     
  • Play 4 bars of A into D
     
    PART D "The Work Song" (4/4)
  • ---------0-X-------------------------------------------------------------
    ---------1-X---------------------|---------------------------------------
    ---------2-X---------------------|---------------------0-----h-2---------
  • ---------2-X---------0-----h-2=====2-------2-p-0---2---------------------
    -0-----------0-h-3---------------|---------------------------------------
     
  • -0-X---------------------------------------------------------------------
    -1-X-----------------------------|---------------------------------------
    -2-X-----------------------------|---------------------------------------
  • -2-X-----------------0-----h-2---|---------------------------------------
    -0-X---------0-h-3---------------|-0-------0---------------0-------------
    -----------------------------------------------3---0-h-3-----------------
  •  
    -0-X---------------------------------------------------------------------
    -1-X-----------------------------|---------------------------------------
  • -2-X-----------------------------|---------------------0-----h-2---------
    -2-X-----------------0-----h-2=====2-------2-p-0---2---------------------
    -0-X---------0-h-3---------------|---------------------------------------
  •  
     
    -0-X---------------------------------------------------------------------
  • -1-X-----------------------------|---------------------------------------
    -2-X-------------1-----------1=====1-------------------------------------
    -2-X-----2---------------2-------|-----2-------0-h-2-p-0---2-p-0---------
  • -0-X-----------------------------|---------------------------------------
     
    -0-X---------------------------------------------------------------------
  • -1-X-----------------------------|---------------------------------------
    -2-X-2-------0-------0-----------|---------------------------------------
    -2-X---------------------2-------|-0---0-----------0-h-2---2-------------
  • -0-X-------------------------3---|-------------3---------------0====-----
     
    -----0-------------------------------------------------------------------
  • ---------------------------------|---------------------------------------
    ---------------------------------|---------------------------------------
    ---------------------0-----h-2---|-----------------------------1====-----
  • =0-----------0-h-3---------------|-0-------0-------0---------------------
    -----------------------------------------------3-------3---0-------------
     
  • ---------------------------------|---------------------------------------
    ---------------------------------|-----0---------------0-----------------
    =1-h-2-------1-----h-2-------3=====3-p-2-------3-----p-2-------2====-----
  • ---------------------------------|---------------------------------------
    ---------0---------------0-----------------0---------------0-------------
     
  • ---------------------------------
    ---------------------------------
    -----------------------------2---
  • =2-h3-p2-p0-h1---0-------0-------
    ---------------------3---0-------
    ---------------------------------
  •  
    Play Part A ad lib for several measures
     
  • Then repeat Part C2
     
    PART C2 (4/4)
  • ----------5-p-3-------1-------0-----------------------------------------------
    ----|-----------------------------3=====3---3-s-1-------0---------------------
    --2-s-5---5-p-4-------2-------0-------|---------------------2-------1====-----
  • ----|-----------------------------4=====4---4-s-2-------0---------------------
    ----|---------------------------------|---------------------3-------2====-----
     
  • ---------0-h-1---0---------------|---------------------------------------
    =1---2---------------2-----------|-1-s-2---1-------1---1-----------------
    ---------0-h-2---0---------------|---------------------------------------
  • =2---3---------------3-----------|-2-s-3---2-------2---------------------
    -----------------------------------------------------------0-------------
     
  • Repeat Part A ad lib to ending
     
    ENDING ritardando ...
  • -5-p3-p0-------------------------------------------------------------0---
    ---------3-----------------------|---------------------------------|-1---
    -----------------5-s-2-----------|---------------------------------|-2---
  • ---------------------------------|-0-h2-p0-------------------------|-2---
    ---------------------------------|---------3---------------0-------|-0---
    ---------------------------------------------------0-h-3-----------------
  •  
    NOTES AND COMMENTS
     
  • Bert Jansch is probably best known as a member of Pentangle, the legendary
    British acoustic folk-blues-jazz group. He and John Renbourn (the other
    guitar in Pentangle) developed picking styles so complex that they became
  • known as "folk baroque". Angie appears on Bert's first solo album, which
    was originally released on Transatlantic records. I have the American
    release, on Vanguard VSD-79212, called "Lucky Thirteen".
  •  
    Bert was highly influential in the early British folk scene. Donovan Leitch
    was so in awe of him that there are songs called "Bert's Blues" and "House
  • of Jansch" on early Donovan albums. It is not clear whether Paul Simon
    learned Angie from Bert or from Dave Graham, although it *is* known that
    Simon was in England after the recording of Simon and Garfunkel's first
  • album (and before the electrification of "The Sounds Of Silence").
     
    Some differences in Simon's version: I believe Paul uses three-note chords
  • in Part C1 rather than two-note ones. Something like:
     
    PART C1 (Paul Simon style)
  • 1/4 3/4 4/4
    -----1---p-0---1-p-0---------------|-----------------------------1---p---
    -----2---p-0---2-p-0-------2-------|-1---------------------------2---|---
  • -----2---p-0---2-p-0-------2-------|-2---------------------------2---p---
    ---------|-----------------3-------|-2---------------2---------------|---
    -0-------------------------------------------0---------------0-----------
  •  
    and so forth. Also, his picking on the B string in Part A seems less
    intricate and more fluid, e.g. the first measure goes something like:
  •  
    PART A (4/4)
    ---------------------------------
  • ---------0-h1----0---------------
    -----2---------2-------------2---
    ---------------------------------
  • -0-------0-----------------------
    -----------------3-------3-------
     
  • As far as Part D goes, it is not widely known that this is actually a quote
    from another song, called The Work Song. I have this on GNP-Crescendo #86,
    "There's A Meetin' Here Tonight" by Joe & Eddie. The first verse and chorus
  • lyrics are:
     
    Breakin' up big rocks on the chain gang,
  • Breakin' rocks and soothin' my time.
    Breakin' up big rocks on the chain gang,
    Oh Lord I committed a crime.
  • Hold it steady right there while I hit it
    I reckon that ought to get it.
    Been workin', I been workin',
  • And I still got so terrible long to go.
     
    I highly recommend digging out this obscure gem and listening to it for
  • a deeper understanding of the possibilities inherent in Part D. It's
    attributed to Nate Adderly & Oscar Brown Jr., so really Angie ought to have
    their names on it as well.
  •  
    I've always been fond of Angie because it was the first song I learned to
    play on the guitar. Yeah, I know. I was too young and stupid to know any
  • better ... :-)
     
    Oh yes, if you have big hands, it's possible to fret the bass string with your
  • thumb (wrapped around the neck). Personally, I only do this for the F.
     
    Anji (another PS arrangement?)
  • ~ == hammer or pull-off, as appropriate
    ^ == bend
    # == hit-and-mute sort of chord strum
  •  
    ------------------------------------------
    --------0~1~0~-~0-------0~1~0~-------0----
  • ------2-------2------0--------2--0~1------
    --------2---------------------------------
    ---0--------------------------------------
  • ----------------3--3----1-----1--0---0----
     
    This is the basic riff; sometimes he throws in an E off the open high string.
  •  
    Some of the variations he does are:
     
  • ----------------------------0--------0-------------------
    ------3^-3^-1------3^-3^-3------------------1~3~0~--0#---
    ----2-----------2--------------2---2------2-------1-1#---
  • ------2-------2-------2------2-------2------------2-2#---
    --0------0---------0-----0-------0------0---------2-2#---
    ----------------------------------------------------0#---
  •  
    ----------------0-------------------------0----0-------------------
    --1-1---1-0------------1~3~1-0---0--------0------3~1~0-------------
  • ------------2---0--------------2---2-1----1----0-------2-1---------
    --2-2---2-0------------2~4~2-0---0--------2------3~2~0-------------
    --0---------3--------0---------3---3-2-----------------3-2---0-----
  • --------------0------------------------0-------------------0---3-2-
     
    -----------------------------------------------
  • --1#------------------------1#-----------------
    --2#-------------------0----2#-----------------
    --2#---------0-2-2~0~2------2#-----------------
  • --0#--0--0~3-------------0--0#--0~2~3~2~0~-~0--
    ------------------------------------------3----
     
  • -------------------------------------------------3-1-0----------------------
    --------1#---------------------------------------------3-1-0----------------
    --------2#-------------0-1---2----4--2-----------------------2-1-0-----1-0--
  • --------2#---0-2-2~0~2---------------------------------------------2-4------
    --------0#-3-------------2---3----5--3-----------------------------------0--
    ---3^-0------------------0-0---0---0--0----------0--------------------------
  • ^^^^^^^^^^^^^^^
    (repeat once or twice, adding high open E's perhaps)
     
  •  
    -~8--7~5---0-------------------------------------------
    --------------3-1-0--------------0--1--0-------0--1-0--
  • -~9--7~5---0--------2----0---1~2-----------1~2---------
    --------------3-2-0--------------0--2--0-------0--2-0--
    --0-----------------3----0---2~3-----------1~2---------
  • -------------------------------------------------------
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