Suite Madame Blue

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  • Verses:
     
    Hint: Fret the "4", "3", and "2" on the low "E" string in measures 3 & 4
  • with your
    thumb, while holding the remnants of the beginning Bm chord with your other
    fingers.
  •  
    Bm Bm/A G#m7-5 Gmaj7 F#
    e||---------2-------|---------0-------|---------0-------|-----------------|
  • B||-------3---3-----|-------3---3-----|-------3---3-----|-------3-------2-|
    G|4-----4-------4---|-----4-------4---|-----4-------4---|-----4-------3---|
    D|4---4-----------4-|---4-----------4-|---4-----------4-|---4-------4-----|
  • A||-2---------------|-0---------------|-----------------|-----------------|
    E||-----------------|-----------------|-4---------------|-3-------2-------|
     
  • Pre-Chorus: (strum the chords hardly)
     
    Bm Bm/A G#m7-5 G F#
  • e||-2---------------|-0---------------|-0---------------|-3-------2-------|
    B||-3---------------|-3---------------|-3---------------|-3-------2-------|
    G|4-4---------------|-4---------------|-4---------------|-4-------3-------|
  • D|4-4---------------|-4---------------|-4---------------|-5-------4-------|
    A||-2---------------|-0---------------|-----------------|-5-------4-------|
    E||-----------------|-----------------|-4---------------|-3-------2-------|
  •  
    Chorus:
     
  • All power chords, but there's a little riff played between the A and D:
     
    e||-----------------|
  • B||-----------------|
    G|4---------7-------|
    D|4-7-------7-------|
  • A||-7--h-p--5-------|
    E||-5-5-7-5---------|
     
  • Bm A G A Bm A G A
    Suite Madame Blue, gaze in your looking glass. You're not a child anymore.
    Bm A G A D A
  • Suite Madame Blue, ....
    D A D A G
    You made your own rules. You ...
  •  
    Post Chorus:
     
  • Play the arpeggiated intro figure again slowly and ethereally.
     
    Riff over Solo 1: (and over the Americaaaa, Americaaaa, Americaaaa,
  • Americaaaa part)
     
    B B D E B B D G A
  • e||-----------------|-----------------|-----------------|-----------------|
    B||-----------------|-----------------|-----------------|-----------------|
    G|4-----------------|-7-------9-------|-----------------|-7---------------|
  • D|4-9-9-------------|-7-------9-------|-9-9-------------|-7-------5--7----|
    A||-9-9-------------|-5-------7-------|-9-9-------------|-5-------5--7----|
    E||-7-7-------------|-----------------|-7-7-------------|---------3--5----|
  •  
    Solo 1:
    Make things distorted here, and add lots of vibrato on each note, then
  • you'll sound like him.
     
    e||-----------------|-----------------|-7--7------------|-----------------|
  • B||-/121212121212\--|-------b--r------|--7--7-10--------|--b--r-----------|
    G|4-----------------|----7-9-11-9~~---|---------9-7-9-7-|-9-11-9~~-9-7-9-7|
    D|4-----------------|-/9--------------|-----------------|-----------------|
  • A||-----------------|-----------------|-----------------|-----------------|
    E||-----------------|-----------------|-----------------|-----------------|
     
  •  
    e||-----------------|-7--7------------|----------h---7~-|-----------------|
    B||--b--r-----------|--7--7-10--------|--b--r---7-10----|-/121212121212\--|
  • G|4-9-11-9-7--------|---------9-7-9-7-|-9-11-9~~--------|-----------------|
    D|4---------9\\~~~~~|-----------------|-----------------|-----------------|
    A||-----------------|-----------------|-----------------|-----------------|
  • E||-----------------|-----------------|-----------------|-----------------|
     
    b r p
  • e||-----------------|--------------p--|-------p----10-7-|-15-17--15-12--12-|
    B||-------b--r------|------b--r--10-7-|---7-10-7-7------|-------------15---|
    G|4----7-9-11-9~~---|---7-9-11-7------|-9---------------|------------------|
  • D|4-/9--------------|-9---------------|-----------------|------------------|
    A||-----------------|-----------------|-----------------|------------------|
    E||-----------------|-----------------|-----------------|------------------|
  •  
    b r p
    e||---p-------------|---7-10-12-7-10-7|----7--p---------|------------------|
  • B||-15-12----15-12~-|-10--------------|-10--10-7-----7--|------------------|
    G|4-------14--------|-----------------|----------9-7--7-|------------------|
    D|4-----------------|-----------------|-----------------|-9-7-9\-----------|
  • A||-----------------|-----------------|-----------------|------------------|
    E||-----------------|-----------------|-----------------|------------------|
     
  • Americaaaa, Americaaaa, Americaaaa, Americaaaa Part:
     
    Play the power chords as told before, and at the end of the hole thing, play
  • this
    (at the end of the hammer on, each note is struck many times and with lots
    of vibrato)
  •  
    e||-----------------|-----------------|-----------------|------------------|
    B||-----------------|-----------------|-----------------|------------------|
  • G|4-----------------|-----------------|-----------------|------------------|
    D|4-----------------|-----------------|-----------------|------------------|
    A||--h--------------|--h--------------|--h--------------|---h--------------|
  • E||-5-7-------------|-7-9-------------|-9-10------------|-10-12------------|
     
    e||-----------------|-----------------|
  • B||-----------------|-----------------|
    G|4-----------------|-----------------|
    D|4-----------------|-----------------|
  • A||---h----h----h---|---h-------------|
    E||-1214-1415-1517--|-1719-19~--------|
     
  • Then go to the second Chorus.
     
    Solo 2:
  •  
    e||---b--r----------|---p----p--------|-----------------|------------------|
    B||-10-12-10-~------|-10-7-10-7-b--r--|--b--r----h----7-|------------------|
  • G|4-----------------|----------9-11-9-|-9-11-9~-7-9-7---|-9-7--------------|
    D|4-----------------|-----------------|-----------------|----9-------4-----|
    A||-----------------|-----------------|-----------------|--------------7-5-|
  • E||-----------------|-----------------|-----------------|------------------|
     
    e||-----------------|-----------------|-----------------|------------------|
  • B||-----------------|-----------------|-----------------|------------------|
    G|4o----------------|-----------------|-----------------|-----------------o|
    D|4o----------------|---4-5-4---------|-4---------------|-----------------o|
  • A||------4-5-7------|-7---------------|---7-5-7---------|-7\---------------|
    E||-7--7------------|-----------------|-----------------|------------------|
     
  • e||-----------------|-----------------|
    B||-----------------|-5---------------|
    G|4-----------------|-4---------------|
  • D|4-----------------|-4---------------|
    A||-7---5---4\--(2)-|-2---------------|
    E||-----------------|-----------------|
  •  
    Tablature Explanation:
    NT = Nashville Tuning is when the low E, A, D & G strings are replaced
  • with
    lighter gauge strings and tuned one octave higher than normal.
    | = bar separating measures
  • ~ = vibrato
    x = percussive note with no pitch; muted note
    . = staccato; mute the note immediately after striking it
  • h = hammer
    p = pull
    s = slide (used when \ or / don't fit)
  • ^ = bend string up to indicated pitch/fret shown in parenthesis ()
    r = release bend (string/fret may be indicated)
    t = fret board tap (not many of these with Rush)
  • / = slide up
    \ = slide down
    x/ = pick slide up
  • x\ = pick slide down
    <5> = natural harmonic (lightly touch the string at fret indicated)
    [5] = artificial harmonic (use thumb to follow through the pick attack)
  • (5) = note sustained from previous measure
    o =\ repeat sign
    o =/
  • DC = "Da capo" - means "from the head", when you see these initials
    you go back to the beginning of the piece of music.
    DS = "Dal segno" - means "from the sign", go back in the tabulature
  • only as far as the (%) sign.
    Coda = A passage at the end of a movement or composition that brings
    it to a formal close.
  • Al
    Coda = means "to the tail", tells you that you must go to the end
    section which starts with the Coda sign (+).
  • RF = repeat and fade
    rit = "ritardando" - Gradually slowing in tempo; retarding.
     
  • Other pertinent information:
    Tuning: Standard [EADGBe].
    Key signature: D
  • Effects:
    Chord Chart Below for major chords
     
  • Tablature Format:
     
    This Tablature is based on the format indicated below.
  •  
    1 2 3 4 1 2 3 4 <--Quarter note beat locations
    1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 <--Eighth note beat locations
  • <--Effects/Misc Line
    D C G/B <--Chord Line
    e e e q q e e e e q e e e <--Note Duration Line (table below)
  • |-----2-----------|-----------------| <--High E string
    |-------3---------|-----------------| <--B string
    |---2-------2---0-|-----0-------0---| <--G string
  • |-0---------------|---2-------0---0-| <--D string
    |-----------------|-3-----2---------| <--A string
    |-----------------|-----------------| <--E string
  •  
    Effects/Misc Line: Provides effects information, number of repeats, etc.
     
  • Chord Line: Provides the chord name for the chords used in the
    tab below.
     
  • Note Duration Line: Provides the "value" of each note, e.g., whole,
    half, quarter, etc.
     
  • Note Duration Designator Table:
    w = Whole note h = Half note
    q = Quarter note H = Dotted half note
  • Q = Dotted Quarter note s = Sixteenth note
    e = Eighth note S = Dotted sixteenth note
    E = Dotted eighth note + = Duration exceeds 2 measures
  • t = Thirty-second note
    T = Dotted thirty-second note
     
  • Notes with two designations immediately adjacent to each other
    have durations added (e.g., he = half note + eigth note, etc.)
     
  • String lines: Represent the strings of a guitar. The tab is laid
    out as if you placed a right handed guitar on your
    lap, string side up. A vertical line character "|"
  • represents a bar between measures. A dash "-" represents
    each string. The numbers indicate which fret should
    be fingered to sound the note. The first space after
  • every bar is a blank space that is almost never used.
    Quarter notes are separated by 3 dashes, eighth notes
    are separated by 1 dash. In an effort to make the
  • ASCII tab look as much like tab in a music book, the
    notes are spaced out as accurately as possible. In the
    event the notes will not fit into the format shown above,
  • the tab will be expanded (usually only required for
    solos).
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Suite Madame Blue
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