Take The Long Road And Walk It 2

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  • MAIN RIFF(S)
    - the following is the way i play it and i'm convinced
    Adam plays it this way too
  • - blues style: quarter bend (i.e. ^) the notes whenever
    possible for accenting
    - i know for sure Adam uses an autowah, along with
  • crunch-type distortion from his Marshall, with reverb
    - faint delay/echo, but noticeable nonetheless.
    e-|-------------------------------------------------|
  • B-|-------------------------------------------------|
    G-|-------------------------------------------------|
    D-|----7^-5h7---7^-7^p5-----------------------------|
  • A-|--0--------0---------7^p0-5^p0-------------------|
    E-|-------------------------------------------------|
     
  • - my friend, who is a slightly better guitarist, decides
    to play it this way with a slight variation at the end
    which shows his style... but yeahh choose one...
  • e-|-------------------------------------------------|
    B-|-------------------------------------------------|
    G-|-------------------------------------------------|
  • D-|----7^-5h7---7^-7^p5-----------------------------|
    A-|--0--------0---------7^p6p5^p0-------------------|
    E-|-------------------------------------------------|
  •  
    CHORUS (or whenever you think you hear this version)
    e-|-------------------------------------------------|
  • B-|-------------------------------------------------|
    G-|----------------5^---7^p5------------------------|
    D-|----7^-5h7---7^----7------7^---------------------|
  • A-|--0--------0-------------------------------------|
    E-|-------------------------------------------------|
     
  • AFTER-CHORUS (or whenever you think you hear this version)
    e-|-------------------------------------------------|
    B-|-------------------------------------------------|
  • G-|-------------------------17^----19^^^>p17--------|
    D-|--17/19-19^-17h19p17h19^-----19------------------|
    A-|--0------------------0---------------------------|
  • E-|-------------------------------------------------|
     
    "TAKE THE LONG RAOD AND WALKKK ITTTTT YESSS!!"
  • - same as the previous riffs except no autowah,
    reverb is higher and delay/echo is more noticeable
    and set longer and accurately to fit with the tempo...
  • or - these same notes are played but in a way where delay
    isn't used but sounds as if it is (live version)
    e-|-------------------------------------------------|
  • B-|-------------------------------------------------|
    G-|-------------------------------------------------|
    D-|-----7^------10^------9^------12^-----14^^-14~~*-|
  • A-|--0*------0*-------0*------0*------0*------------|
    E-|-------------------------------------------------|
    *let this note ring and other staccato
  •  
    e-|-------------------------------------------------|
    B-|-------------------------------------------------|
  • G-|-------------------------------------------------|
    D-|-----7^------10^------9^------12^-----14^^>~~*---|
    A-|--0*------0*-------0*------0*------0*------------|
  • E-|-------------------------------------------------|
    *let this note ring and other staccato
     
  • NEXT SECTION
    - back to "normal mode" without autowah
    - in some parts this riff is played by two guitars
  • simultaneously where one is an acoustic guitar using a
    glass or metal slide.
    part a)
  • e-|-------------------------------------------------|
    B-|-------------------------------------------------|
    G-|-------------7^^>p5------------------------------|
  • D-|--5/7-7-7--7-------------------------------------|
    A-|--5/7-7-7-------------x8-------------------------|
    E-|-------------------------------------------------|
  •  
    part b) "not accurate i admit"
    e-|-------------------------------------------------|
  • B-|-------------------------------------------------|
    G-|-----------/12^^^`-----------/14~-12~------------|
    D-|--5/7-7-7-----------5/7-7-7----------------------|
  • A-|--5/7-7-7-----------5/7-7-7------------x2--------|
    E-|-------------------------------------------------|
     
  • "FEEDBACK AH FEEDBAK BADDA BADDA BEAT BUP BADDA FEEDBAAACK" and OUTRO
    - autowah is back on
    - second guitar plays same thing but is an acoustic
  • guitar using a slide
    e-|-------------------------------------------------|
    B-|-------------------x-x-----------------------x-x-|
  • G-|----5---5---5------x-x---5---5---5-----------x-x-|
    D-|--7-5-7-5-7-5-7----x-x-7-5-7-5-7-5-7---------x-x-|
    A-|--7---7---7---7----x-x-7---7---7---7---------x-x-|
  • E-|-------------------------------------------------|
     
    e-|-------------------------------------------------|
  • B-|----------------------------------x-x------------|
    G-|----5---5---5------5---5------5-5-x-x-5h7-7-7^^~-|
    D-|--7-5-7-5-7-5-7--7-5-7-5-7--7-5-5-x-x-5h7-7-7^^~-|
  • A-|--7---7---7---7--7---7---7--7-----x-x------------|
    E-|-------------------------------------------------|
     
  • KEY
     
    h - pick left note and hammer on to right note
  • p - " " " " pull off " " "
    x2 - repeat twice or whatever number is there... you're smart enough to
    work it out aye?
  • ^ - quarter bend or slight bend i.e if the note is a G you're aiming to
    bend to the note roughly between G and G#
    ^^ - semitone bend i.e. if the note is a G you're aiming to bend roughly
  • to the note G# or Ab which is one semitone or half a tone higher
    than the picked tone (G).
    ^^^- tone bend i.e. if the note is G you're aiming to bend roughly to the
  • note A which is one tone higher than the picked tone (G).
    ` - accompanies a bend. pick the note while bent to the aimed note
    - downbend, when accompanying a bend and means that the note should be
  • bended back or released back to its original note.
    when not accompanying a bend follows the same rules as normal bends
    but in reverse effect i.e. on the B-string: 9> means to bend a
  • quarter up then pick then bend back or release down while note is
    sounding. The same applies for 9>> or 9>>> accept the notes are
    bent a semitone up then picked or a tone up then picked respectively
  • / - pick the first note then slide up to the second note, picking the
    second note is optional
    \ - pick the first note then slide down to the second note, picking the
  • second note is optional
    ~ - vibrato, the fret finger is shaken to create the effect of a note
    "shaking" in pitch.
  • ~~ - wide vibrato, the note is slightly bended (usually less than a
    quarter bend or otherwise indicated) repeatedly to create a more
    dramatic vibrato
  • x - pick the strings while muting them with fret hand to create a
    percussive sound.
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