Rosary

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  • Fig.1
    |--------------------------------------.--..
    |---9-9----9-9----9----9-9----9-9----9----..
  • |--------------------------------------.--..
    |11-----11-----11---11-----11-----11------..
    |--------------------------------------.--..
  • |--------------------------------------.--..
     
    Fig.2
  • |------------------------------------------------------------|
    |---10----10----10----10----10----10----10----10----10----10-|
    |------------------------------------------------------------|
  • |11----13----13----13----12----12----12----12----12----12----| x3
    |------------------------------------------------------------|
    |------------------------------------------------------------|
  •  
    Am7
    |-0|-|
  • |-8--|
    |-0--|
    |-10-|
  • |-0--|
    |-0--|
     
  • Ending *Brackets indicate that notes may be accidental
    |--------(0)---------------(0)---------(0)-----------------.--..
    |8-8-8-8-----8-8-8-8-8-8-8-----8-8-8-8-----8-8-8-8-8-8-8-8----..
  • |----------------------------------------------------------.--..
    |----------------------------------------------------------.--..
    |----------------------------------------------------------.--..
  • |----------------------------------------------------------.--..
     
    NOTE: During second verse, in Fig.1 the open G string is
  • occasionally struck together with the C# at the 11th.
    This too may be accidental, but it does add even more
    atmosphere in the form of dissonance.
  •  
    [Fig.1]
    I'll string along I'll string along oo whaoo whaoo whaoo
  • Come mornings my beads on a faceA thread
    A thong oo whaoo whaoo whaoo
     
  • [Fig.2]
    We can save itWe can change it Put it in lines across the room
    But we'll never stop it bristling
  •  
    [Am7]
    and I gotta quit
  •  
    [Fig.1] (with open G)
    With a ribbonless hair With a wire of snare oo whaoo whaoo whaoo
  • With all the trembling vein that you can bare oo whaoo whaoo whaoo
     
    [Fig.2]
  • We can save it We can change it Put it in lines across the room
    But we'll never stop it pimpling
     
  • [Am7]
    and I gotta quit
     
  • [Ending]
    Scrape a little pattern to a sty I kiss holes for the bullets
    in case of thigh in case of thigh I kiss holes for the bullets
  • and I gotta quit and I gotta quit
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Tablatures guitarede WALKER SCOTT Rosary Skitarrate pour jouer votre musique, l'ètude des 'èchelles, des positions pour guitare, la recherche, la gestion, la demande et envoyer accords, paroles et partitions

Rosary
WALKER SCOTT
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